My Account Log in

5 options

The rhythmic event : art, media, and the sonic / Eleni Ikoniadou.

EBSCOhost Academic eBook Collection (North America) Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central College Complete Available online

View online

Ebook Central University Press Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online
Format:
Book
Author/Creator:
Ikoniadou, Eleni, author.
Series:
Technologies of lived abstraction.
Technologies of lived abstraction
Language:
English
Subjects (All):
Electronic music--History and criticism.
Electronic music.
Avant-garde (Music).
Physical Description:
1 online resource (130 p.)
Place of Publication:
Cambridge, Massachusetts : MIT Press, [2014]
Language Note:
English
Summary:
"The sonic has come to occupy center stage in the arts and humanities. In the age of computational media, sound and its subcultures can offer more dynamic ways of accounting for bodies, movements, and events. In 'The Rhythmic Event', Eleni Ikoniadou explores traces and potentialities prompted by the sonic but leading to contingent and unknowable forces outside the periphery of sound. She investigates the ways in which recent digital art experiments that mostly engage with the virtual dimensions of sound suggest alternate modes of perception, temporality, and experience. Ikoniadou draws on media theory, digital art, and philosophical and technoscientific ideas to work toward the articulation of a media philosophy that rethinks the media event as abstract and affective. 'The Rhythmic Event' seeks to define the digital media artwork as an assemblage of sensations that outlive the space, time, and bodies that constitute and experience it. Ikoniadou proposes that the notion of rhythm - detached, however, from the idea of counting and regularity - can unlock the imperceptible, aesthetic potential enveloping the artwork. She speculates that addressing the event on the level of rhythm affords us a glimpse into the nonhuman modalities of thought proper to the digital and hidden in the gaps between strict definitions (e.g., human/sonic/digital) and false dichotomies (e.g., virtual/real). Operating at the margins of perception, the rhythmic artwork summons an obscure zone of sonic thought, which considers the event according to its power to become."--Publisher's description.
Contents:
Contents; Series Foreword; Acknowledgments; Introduction: Abstract Audio; 1 Virtual Digitality; 2 Hypersonic Sensation; 3 Rhythmic Time; Conclusions: Rhythm and Event; Notes; References; Index
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
OCLC-licensed vendor bibliographic record.
ISBN:
0-262-32095-9
0-262-32094-0
OCLC:
884725749

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account