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Of bondage : debt, property, and personhood in early modern England / Amanda Bailey.

De Gruyter University of Pennsylvania Press eBook Package Backlist 2000-2013 Available online

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Ebook Central Academic Complete Available online

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Ebook Central University Press Available online

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Format:
Book
Author/Creator:
Bailey, Amanda, 1966-
Language:
English
Subjects (All):
Debt in literature.
Economics and literature--Great Britain--History.
Economics and literature.
Debt--Great Britain--History.
Debt.
Property--Great Britain--History.
Property.
English drama--Early modern and Elizabethan, 1500-1600--History and criticism.
English drama.
Physical Description:
1 online resource (220 p.)
Edition:
1st ed.
Place of Publication:
Philadelphia : University of Pennsylvania Press, c2013.
Language Note:
English
System Details:
Mode of access: World Wide Web.
Summary:
The late sixteenth-century penal debt bond, which allowed an unsatisfied creditor to seize the body of his debtor, set in motion a series of precedents that would shape the legal, philosophical, and moral issue of property-in-person in England and America for centuries. Focusing on this historical juncture at which debt litigation was not merely an aspect of society but seemed to engulf it completely, Of Bondage examines a culture that understood money and the body of the borrower as comparable forms of property that impinged on one another at the moment of default. Amanda Bailey shows that the early modern theater, itself dependent on debt bonds, was well positioned to stage the complex ethical issues raised by a system of forfeiture that registered as a bodily event. While plays about debt like The Merchant of Venice and The Custom of the Country did not use the language of political philosophy, they were artistically and financially invested in exploring freedom as a function of possession. By revealing dramatic literature's heretofore unacknowledged contribution to the developing narrative of possessed persons, Amanda Bailey not only deepens our understanding of creditor-debtor relations in the period but also sheds new light on the conceptual conditions for the institutions of indentured servitude and African slavery. Of Bondage is vital not only for students and scholars of English literature but also for those interested in British and colonial legal history, the history of human rights, and the sociology of economics.
Contents:
Front matter
Contents
Preface
Introduction: Bound Bodies and the Theater of Debt
Chapter 1. Timon of Athens, Forms of Payback, and the Genre of Debt
Chapter 2. Shylock and the Slaves: Owing and Owning in The Merchant of Venice
Chapter 3. Michaelmas Term and the Problem of Satisfaction
Chapter 4. Freedom, Bondage, and Redemption in The Custom of the Country
Chapter 5. Prison Prose, the Pit, and the End of Tricks
Epilogue: The Debtor and the Slave
Notes
Works Cited
Index
Acknowledgments
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references and index.
ISBN:
9780812208221
0812208226
OCLC:
859161183

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