My Account Log in

5 options

Blackness in opera / edited by Naomi Andre, Karen M. Bryan, and Eric Saylor.

EBSCOhost Academic eBook Collection (North America) Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central University Press Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online

eBook Diversity & Ethnic Studies Collection Available online

View online
Format:
Book
Contributor:
André, Naomi Adele.
Bryan, Karen M. (Karen McGaha), 1954-
Saylor, Eric.
Language:
English
Subjects (All):
Black people in opera.
Opera.
Physical Description:
1 online resource (306 p.)
Edition:
1st ed.
Place of Publication:
Urbana : University of Illinois Press, 2013.
Language Note:
English
Summary:
'Blackness in Opera' critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera.
Contents:
Introduction: representing blackness on the operatic stage
From Otello to Porgy: blackness, masculinity, and morality in opera / Naomi André
Hearing the other in The masque of blackness / Sarah Schmalenberger
Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / Christopher R. Gauthier and Jennifer McFarlane-Harris
Race, "realism," and fate in Frederick Delius's Koanga / Eric Saylor
Political currents and black culture in Scott Joplin's Treemonisha / Ann Sears
Clarence Cameron White's Ouanga! in the world of the Harlem Renaissance / Karen M. Bryan
New paradigms in William Grant Still's Blue steel / Gayle Murchison
Performers in Catfish Row: Porgy and Bess as collaboration / Gwynne Kuhner Brown
Searching for "authenticity" in Paul Bowles's Denmark Vesey / Melissa J. de Graaf
The politics of color in Oscar Hammerstein's Carmen Jones / Melinda Boyd
Performing race in Ernst Krenek's Jonny spielt auf / Jonathan O. Wipplinger
Il rodolfo nero, or the masque of blackness / George Shirley.
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
Description based on print version record and CIP data provided by publisher; resource not viewed.
ISBN:
1-283-90169-2
0-252-09389-5
OCLC:
822890086

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account