My Account Log in

3 options

Images, iconoclasm, and the Carolingians / Thomas F.X. Noble.

De Gruyter University of Pennsylvania Press eBook Package Backlist 2000-2013 Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central University Press Available online

View online
Format:
Book
Author/Creator:
Noble, Thomas F. X.
Series:
Middle Ages series.
Middle Ages series
Language:
English
Subjects (All):
Iconoclasm--Europe.
Iconoclasm.
Carolingians.
Physical Description:
1 online resource (497 p.)
Edition:
1st ed.
Place of Publication:
Philadelphia : University of Pennsylvania Press, c2009.
Language Note:
English
Summary:
In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues were temporarily resolved at the Second Council of Nicaea. In 815, a second great wave of iconoclasm was set off, only to end in 842 when the icons were restored to the churches of the East and the iconoclasts excommunicated.The iconoclast controversies have long been understood as marking major fissures between the Western and Eastern churches. Thomas F. X. Noble reveals that the lines of division were not so clear. It is traditionally maintained that the Carolingians in the 790s did not understand the basic issues involved in the Byzantine dispute. Noble contends that there was, in fact, a significant Carolingian controversy about visual art and, if its ties to Byzantine iconoclasm were tenuous, they were also complex and deeply rooted in central concerns of the Carolingian court. Furthermore, he asserts that the Carolingians made distinctive and original contributions to the whole debate over religious art.Images, Iconoclasm, and the Carolingians is the first book to provide a comprehensive study of the Western response to Byzantine iconoclasm. By comparing art-texts with laws, letters, poems, and other sources, Noble reveals the power and magnitude of the key discourses of the Carolingian world during its most dynamic and creative decades.
Contents:
Frontmatter
Contents
Introduction
Chapter one. Art, Icons, and Their Critics and Defenders Before the Age of Iconoclasm
Chapter two. Byzantine Iconoclasm in the Eighth Century
Chapter three. Art and Art Talk in the West in the First Age of Iconoclasm
Chapter four. The Franks and Nicaea: Opus Caroli Regis
Chapter five. Tradition, Order, and Worship in the Age of Charlemagne
Chapter six. The Age of Second Iconoclasm
Chapter seven. Art and Argument in the Age of Louis the Pious
Conclusion
Notes
Bibliography
Index
Acknowledgments
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references (p. [437]-479) and index.
ISBN:
9780812222562
0812222563
9781283890854
1283890852
9780812202960
0812202961
OCLC:
794702351

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account