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Frantic panoramas : American literature and mass culture, 1870-1920 / Nancy Bentley.

De Gruyter University of Pennsylvania Press eBook Package Backlist 2000-2013 Available online

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Ebook Central Academic Complete Available online

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Ebook Central University Press Available online

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Format:
Book
Author/Creator:
Bentley, Nancy, 1961-
Language:
English
Subjects (All):
American literature--19th century--History and criticism.
American literature.
American literature--20th century--History and criticism.
Popular culture and literature--United States--History.
Popular culture and literature.
Popular culture in literature.
Popular culture--United States--History--19th century.
Popular culture.
Popular culture--United States--History--20th century.
Popular literature--United States--History and criticism.
Popular literature.
Physical Description:
1 online resource (370 p.)
Edition:
1st ed.
Place of Publication:
Philadelphia : University of Pennsylvania Press, c2009.
Language Note:
English
Summary:
Late nineteenth-century America saw an explosion in mass culture-from sensationalist tabloid newspapers to amusement parks to Wild West shows. Historians and critics have traditionally observed the advent of mass culture as undermining literature's central role in the public sphere. Literary writers of the time either reacted with a public show of disdain or retreated to conduct their own private experiments in style and form. In Frantic Panoramas, Nancy Bentley questions these narratives of opposition.For literary writers, Bentley explains, the confrontation with mass culture was less a retreat than a transformation, an ordeal through which habits of contemplative appreciation could be refashioned into new forms of critical thought. By grappling with the energies that marked mass culture, authors came to recognize kinds of human experience that were only then becoming visible as public. William Dean Howells shaped the plots of his novels around tabloid events like rail and trolley accidents and the public chaos of apartment house fires. Although Henry James was distressed at the way dime fiction had changed the very definition of literature, his meditations on mass culture led him to reimagine the novel as a collective "workshop" in which authors and readers jointly discovered new meaning. Bentley offers close readings of these and other writers such as Edith Wharton, James Weldon Johnson, Pauline Hopkins, and Gertrude Bonnin to demonstrate how leading artists took inspiration from commercial culture to create new and distinct literary forms.Drawing on original archival research and a historically grounded theory of realism, Frantic Panoramas is an innovative and comprehensive study of how the emergence of mass culture affected literary culture in America.
Contents:
Frontmatter
Contents
Introduction. The Analytic Instinct and the Art of the Crash
Chapter 1. Literature and the Museum Idea
Chapter 2. Realism and the Gordian Knot of Aesthetics and Politics
Chapter 3. Women and the Realism of Desire
Chapter 4. Celebrity Warriors, Impossible Diplomats, and the Native Public Sphere
Chapter 5. Black Bohemia and the African American Novel
Chapter 6. Wharton, Mass Travel, and the ''Possible Crash''
Chapter 7. Neurological Modernity and American Social Thought
Conclusion. Literary Analysis and the Perception of Incongruities
Notes
Index
Acknowledgments
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references (p. [303]-348) and index.
ISBN:
9781283890083
1283890089
9780812201246
0812201248
OCLC:
802051771

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