My Account Log in

5 options

Sacred steel : inside an African American steel guitar tradition / Robert L. Stone.

EBSCOhost Academic eBook Collection (North America) Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central University Press Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online

eBook Diversity & Ethnic Studies Collection Available online

View online
Format:
Book
Author/Creator:
Stone, Robert L., 1944-
Series:
Music in American life.
Music in American life
Language:
English
Subjects (All):
Church music--African American churches.
Church music.
Hawaiian guitar music--History and criticism.
Hawaiian guitar music.
African American guitarists.
African American church musicians.
Physical Description:
1 online resource (321 p.)
Edition:
1st ed.
Place of Publication:
Urbana : University of Illinois Press, c2010.
Language Note:
English
Summary:
In this book, Robert L. Stone follows the sound of steel guitar into the music-driven Pentecostal worship of two related churches: the House of God and the Church of the Living God. A rare outsider who has gained the trust of members and musicians inside the church, Stone uses nearly two decades of research, interviews, and fieldwork to tell the story of a vibrant musical tradition that straddles sacred and secular contexts. Most often identified with country and western bands, steel guitar is almost unheard of in African American churches--except for the House of God and the Church of the Living God, where it has been part of worship since the 1930s. Sacred Steel traces the tradition through four generations of musicians and in some two hundred churches extending across the country from Florida to California, Michigan to Alabama. Presenting detailed portraits of musical pioneers such as brothers Troman and Willie Eason and contemporary masters such as Chuck Campbell, Glenn Lee, and Robert Randolph, Stone expertly outlines the fundamental tensions between sacred steel musicians and church hierarchy. In this thorough analysis of the tradition, Stone explores the function of the music in church meetings and its effect on the congregations. He also examines recent developments such as the growing number of female performers, the commercial appeal of the music, and younger musicians' controversial move of the music from the church to secular contexts.
Contents:
Discovery
The churches : beliefs, social milieu, and the development of the steel guitar
Traditions
Church meetings and the steel guitarist's role in them
The steel guitar
The Eason Brothers
Little Willie and his talking guitar
Henry Nelson : the liberace of sacred steel
The Jewell Dominion
Motor city steel
Calvin Cooke
Shaping the modern sound : pedal-steel guitar innovators Chuck Campbell and Glenn Lee
Negotiating the new millennium.
Notes:
Bibliographic Level Mode of Issuance: Monograph
Description based on print version record.
Includes bibliographical references (p. [247]-254), discography (p. [259]-263), and index.
ISBN:
9786613028839
9781283028837
1283028832
9780252090301
0252090306
OCLC:
709664739

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account