My Account Log in

6 options

Street with no name : a history of the classic American film noir / Andrew Dickos.

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost Ebook Public Library Collection - North America Available online

View online

EBSCOhost eBook Community College Collection Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central University Press Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online
Format:
Book
Author/Creator:
Dickos, Andrew, 1952-
Language:
English
Subjects (All):
Film noir--United States--History and criticism.
Film noir.
Physical Description:
1 online resource (324 p.)
Edition:
1st ed.
Place of Publication:
Lexington : University Press of Kentucky, c2002.
Language Note:
English
System Details:
Mode of access: World Wide Web.
Summary:
A Choice Outstanding Academic Title Flourishing in the United States during the 1940's and 50's, the bleak, violent genre of filmmaking known as film noir reflected the attitudes of writers and auteur directors influenced by the events of the turbulent mid-twentieth century. Films such as Force of Evil, Night and the City, Double Indemnity, Laura, The Big Heat, The Killers, Kiss Me Deadly and, more recently, Chinatown and The Grifters are indelibly American. Yet the sources of this genre were found in Germany and France and imported to Hollywood by emigr? filmmakers, who developed them
Contents:
Machine generated contents note: 1. THE NOIR IN AMERICA 60
The Noir City 62
Archetypes-Protagonists 65
Abraham Polonsky 70
Jules Dassin 75
Nicholas Ray 82
Orson Welles 88
2. THE HARD-BOILED FICTION INFLUENCE 96
Cornell Woolrich 99
The Private Detective 103
Humphrey Bogart, Spade, Marlowe,
and the Film Noir 109
The Gangster Figure and the Noir 112
John Huston 115
Violence in the Noir 121
Samuel Fuller 125
Robert Aldrich 130
Don Siegel 137
Sexuality in the Noir 142
Families in the Noir 146
Joseph H. Lewis 151
3. WOMEN AS SEEN IN THE FILM NOIR 156
Otto Preminger 164
4. NOIR PRODUCTION 172
Noir Iconography 173
The Use of Voice-Over Narration 177
The Flashback Device 179
Amnesia as a Storytelling Device 182
The B Noir Production 184
Documentary Realism in the Noir 187
Critical and Popular Reception of the Film Noir 191
HUAC and the Blacklist 194
Fight Pictures 197
Caper Films 200
Crime Syndicate Expos6s 202
The Kefauver Crime Hearings 203
Anthony Mann 206
Phil Karlson 213
5. THE NOIR INFLUENCE ON THE FRENCH NEW WAVE 222
Jean-Pierre Melville 228.
Notes:
Description based upon print version of record.
Includes bibliographical references (p. [283]-289) and index.
ISBN:
9786613327482
9780813137490
0813137497
9781283327480
1283327481
9780813170336
0813170338
OCLC:
65184408

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account