Making race : modernism and racial art in America / Jacqueline Francis.

Format:

Book

Author/Creator:

Francis, Jacqueline.

Series:

McLellan Endowed Series

Language:

English

Subjects (All):

Johnson, Malvin Gray, 1896-1934--Criticism and interpretation.

Johnson, Malvin Gray.

Kuniyoshi, Yasuo, 1889-1953--Criticism and interpretation.

Kuniyoshi, Yasuo.

Weber, Max, 1881-1961--Criticism and interpretation.

Weber, Max.

Modernism (Art)--United States.

Modernism (Art).

Painting, American--20th century.

Painting, American.

Art criticism--United States--History--20th century.

Art criticism.

Art and race.

Physical Description:

1 online resource (274 p.)

Edition:

1st ed.

Place of Publication:

Seattle : University of Washington Press, c2012.

Language Note:

English

System Details:

Mode of access: World Wide Web.

Summary:

"A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"-- Resume de l'editeur.

"Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"-- Resume de l'editeur.

Contents:

Introduction ; The meanings of modernism ; Making race in American religious painting ; Type/face/mask: racial portraiture ; The race of landscape ; Conclusion.

Notes:

"A McLellan book".

Includes bibliographical references and index.

Description based on print version record.

ISBN:

9780295804330

0295804335

OCLC:

774399342

Publisher Number:

heb40086 hdl