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A little solitaire : John Frankenheimer and American film / edited by Murray Pomerance, R. Barton Palmer.

De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 Available online

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Format:
Book
Contributor:
Pomerance, Murray, 1946-
Palmer, R. Barton, 1946-
Language:
English
Subjects (All):
Frankenheimer, John, 1930-2002--Criticism and interpretation.
Motion pictures--Biography.
Physical Description:
1 online resource (325 p.)
Edition:
1st ed.
Place of Publication:
New Brunswick, NJ : Rutgers University Press, c2011.
Language Note:
English
Summary:
Think about some commercially successful film masterpieces--The Manchurian Candidate. Seven Days in May. Seconds. Then consider some lesser known, yet equally compelling cinematic achievements--The Fixer. The Gypsy Moths. Path to War. These triumphs are the work of the best known and most highly regarded Hollywood director to emerge from live TV drama in the 1950s--five-time Emmy-award-winner John Frankenheimer. Although Frankenheimer was a pioneer in the genre of political thrillers who embraced the antimodernist critique of contemporary society, some of his later films did not receive the attention they deserved. Many claimed that at a midpoint in his career he had lost his touch. World-renowned film scholars put this myth to rest in A Little Solitaire, which offers the only multidisciplinary critical account of Frankenheimer's oeuvre. Especially emphasized is his deep and passionate engagement with national politics and the irrepressible need of human beings to assert their rights and individuality in the face of organizations that would reduce them to silence and anonymity.
Contents:
Frontmatter
Contents
Acknowledgments
Introduction: Why Don't You Pass the Time by Playing a Little Solitaire? / Palmer, R. Barton / Pomerance, Murray
Thrills
Murdered Souls, Conspiratorial Cabals: Frankenheimer's Paranoia Films / Sterritt, David
The Manchurian Candidate: Compromised Agency and Uncertain Causality / Berg, Charles Ramírez
Stealth, Sexuality, and Cult Status in The Manchurian Candidate and Seconds / Bell-Metereau, Rebecca
The Train: John Frankenheimer's "Rape of Europa" / Bernstein, Matthew H.
Action and Abstraction in Ronin / Prince, Stephen
Politics
Late Frankenheimer/ Political Frankenheimer / McFarland, Douglas
John Frankenheimer's "War on Terror" / Creekmur, Corey K.
The Burning Season: Environmentalism versus Progress? / Murray, Robin L.
Pictures and Prizes: Le Grand Prix de Rome and Grand Prix / Duckett, Victoria
Families
Crashing In: Birdman of Alcatraz / Conley, Tom
Walking the Line with the Fille Fatale / Williams, Linda Ruth
Live TV, Filmed Theater, and the New Hollywood: John Frankenheimer's The Iceman Cometh / Morrison, James
Ashes, Ashes: Structuring Emptiness in All Fall Down / Pomerance, Murray
Secrets
An American in Paris: John Frankenheimer's Impossible Object / Mosher, Jerry
Shot from the Sky: The Gypsy Moths and the End of Something / Bingham, Dennis
Frankenheimer and the Science Fiction/Horror Film / Cornea, Christine
The Fixer: A Jew Who Could Be Any Man, Any Time, Anywhere / Palmer, R. Barton
Jonah / Krohn, Bill
John Frankenheimer's Directorial Career: A Chronology
Works Cited and Consulted
Contributors
Index
Notes:
Description based upon print version of record.
Includes bibliographical references, filmography and index.
ISBN:
1-283-86462-2
0-8135-5098-X
OCLC:
775872933

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