My Account Log in

6 options

Old masters and young geniuses : the two life cycles of artistic creativity / David W. Galenson.

De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost eBook Community College Collection Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central University Press Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online
Format:
Book
Author/Creator:
Galenson, David W.
Language:
English
Subjects (All):
Creation (Literary, artistic, etc.).
Ability, Influence of age on.
Arts, Modern--19th century.
Arts, Modern.
Arts, Modern--20th century.
Physical Description:
1 online resource (251 pages)
Edition:
Course Book
Place of Publication:
Princeton, N.J. : Princeton University Press, c2006.
Language Note:
English
Summary:
When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.
Contents:
Front matter
Contents
Illustrations and Tables
Preface
Introduction
Chapter 1. Theory
Chapter 2. Measurement
Chapter 3. Extensions
Chapter 4. Implications
Chapter 5. Before Modern Art
Chapter 6. Beyond Painting
Chapter 7. Perspectives
Notes
Bibliography
Index
Notes:
"Second printing, and first paperback printing, 2008."
Includes bibliographical references and index.
ISBN:
9786613133397
9781283133395
1283133393
9781400837397
1400837391
OCLC:
730151763

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account