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Performing Grief : Bridal Laments in Rural China / Anne E. McLaren.

De Gruyter University of Hawaii Press eBook Package 2000-2013 Available online

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JSTOR Books Open Access Available online

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Walter De Gruyter: Open Access eBooks Available online

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Format:
Book
Author/Creator:
McLaren, Anne E., author.
Language:
English
Subjects (All):
Country life--China--Social life and customs.
Country life.
Oral tradition--China.
Oral tradition.
Laments--China.
Laments.
Rural families--China--Social conditions.
Rural families.
Women--China--Social conditions.
Women.
Brides--China--Social conditions.
Brides.
Arranged marriage--China.
Arranged marriage.
Marriage customs and rites--China.
Marriage customs and rites.
China--Social life and customs.
China.
Genre:
Electronic books.
Physical Description:
1 online resource (225 p.)
Edition:
1st ed.
Place of Publication:
Honolulu : University of Hawaii Press, [2008]
Language Note:
English
Summary:
This is the first in-depth study of Chinese bridal laments, a ritual and performative art practiced by Chinese women in premodern times that gave them a rare opportunity to voice their grievances publicly. Drawing on methodologies from numerous disciplines, including performance arts and folk literatures, the author suggests that the ability to move an audience through her lament was one of the most important symbolic and ritual skills a Chinese woman could possess before the modern era.Performing Grief provides a detailed case study of the Nanhui region in the lower Yangzi delta. Bridal laments, the author argues, offer insights into how illiterate Chinese women understood the kinship and social hierarchies of their region, the marriage market that determined their destinies, and the value of their labor in the commodified economy of the delta region. The book not only assesses and draws upon a large body of sources, both Chinese and Western, but is grounded in actual field work, offering both historical and ethnographic context in a unique and sophisticated approach. Unlike previous studies, the author covers both Han and non-Han groups and thus contributes to studies of ethnicity and cultural accommodation in China. She presents an original view about the ritual implications of bridal laments and their role in popular notions of "wedding pollution." The volume includes an annotated translation from a lament cycle.This important work on the place of laments in Chinese culture enriches our understanding of the social and performative roles of Chinese women, the gendered nature of China's ritual culture, and the continuous transmission of women's grievance genres into the revolutionary period. As a pioneering study of the ritual and performance arts of Chinese women, it will be of interest to scholars and students in the fields of anthropology, social history, gender studies, oral literature, comparative folk religion, and performance arts.
Contents:
Frontmatter
Contents
Preface
Introduction
PART I: The Bridal Laments of Nanhui
Chapter 1. Imagining Jiangnan
Chapter 2. The People of the Sands
Chapter 3. The Hollow Cotton Spool: Women's Labour in Nanhui
Chapter 4. Seizing a Slice of Heaven: The Lament Cycle of Pan Cailian
PART II: Lament Performance in China: History and Ritual
Chapter 5. Weeping and Wailing in Chinese History
Chapter 6. Shaking Heaven Laments and Ritual Power
Afterword
Appendix 1 Nanhui Lament Transcription
Appendix 2 Translation: The Bridal Laments of Pan Cailian of Shuyuan, Nanhui
Notes
Glossary
Bibliography
Index
About the Author
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references (p. 189-200) and index.
This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0 https://www.degruyter.com/dg/page/open-access-policy
Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019)
ISBN:
9780824869366
0824869362
9780824863920
0824863925
9781441619853
1441619852
OCLC:
436458831
Access Restriction:
Unrestricted online access

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