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The neural imagination : aesthetic and neuroscientific approaches to the arts / Irving Massey.

De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 Available online

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Ebook Central Academic Complete Available online

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Ebook Central University Press Available online

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Format:
Book
Author/Creator:
Massey, Irving.
Series:
Cognitive approaches to literature and culture series.
Cognitive approaches to literature and culture series
Language:
English
Subjects (All):
Neurosciences and the arts.
Arts.
Physical Description:
1 online resource (xvi, 224 pages, 8 unnumbered pages of plates) : illustrations (some color), music
Edition:
1st ed.
Other Title:
Aesthetic and neuroscientific approaches to the arts
Place of Publication:
Austin : University of Texas Press, 2009.
Language Note:
English
Summary:
Art and technology have been converging rapidly in the past few years; an important example of this convergence is the alliance of neuroscience with aesthetics, which has produced the new field of neuroaesthetics. Irving Massey examines this alliance, in large part to allay the fears of artists and audiences alike that brain science may "explain away" the arts. The first part of the book shows how neuroscience can enhance our understanding of certain features of art. The second part of the book illustrates a humanistic approach to the arts; it is written entirely without recourse to neuroscience, in order to show the differences in methodology between the two approaches. The humanistic style is marked particularly by immersion in the individual work and by evaluation, rather than by detachment in the search for generalizations. In the final section Massey argues that, despite these differences, once the reality of imagination is accepted neuroscience can be seen as the collaborator, not the inquisitor, of the arts.
Contents:
Frontmatter
Contents
List of Illustrations
Preface
Acknowledgments
Part 1: The Imagination, Neural
Chapter 1. Background, Purposes, and Limitations of the Inquiry
Chapter 2. Neuroscience and the Visual Arts
Chapter 3. At the Limits of Language
Chapter 4. Music and Language in Dream
Part 2: The Imagination, Plain
Chapter 5. The Three Fields
Part 3: Conclusions
Chapter 6. Ideas and Values
Bibliography
Index
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references and index.
ISBN:
0-292-79345-6
OCLC:
501014427

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