My Account Log in

4 options

Random walks : essays in elective criticism / David Solway.

EBSCOhost Academic eBook Collection (North America) Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central University Press Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online
Format:
Book
Author/Creator:
Solway, David.
Language:
English
Subjects (All):
Criticism.
Literature--History and criticism.
Literature.
Physical Description:
xxi, 224 p. ; 23 cm.
Edition:
1st ed.
Place of Publication:
Montreal ; Buffalo : McGill-Queen's University Press, c1997.
Language Note:
English
Summary:
The first section of the book develops Solway's approach to literature, starting from the assumption that genuine criticism requires the intellectual freedom to range at will across the literary landscape rather than restricting one's direction based on what is current, fashionable, or politically correct. Solway argues that advocating a theoretical school - postmodernism, poststructuralism, semiotics, new historicism, Marxist revisionism, or queer theory - generally involves abandoning the real critical project, which is the discovery of one's own undetermined motives, dispositions, and interests as reflected in the secret mirrors embedded in literary texts. Instead Solway pursues what he calls elective criticism, writing that enables the critical writer to freely discover his or her own identity - a concept that he claims cannot reasonably be diluted, relinquished, or deconstructed. In the second section Solway practices what he preaches, exploring a wide range of authors and subjects. His essays include an analysis of Franz Kafka's The Trial as a Jewish joke, a personal memoir of Irving Layton, an interpretation of Erin Moure's "Pronouns on the Main," an examination of language in William Shakespeare's romances, a reading of Robert Browning's "My Last Duchess" that is sympathetic to the Duke, an assertion that James Joyce has more in common with the traditional novelist than with the professional, (post-)modern alienator, and an exploration of Jonathan Swift's sartorial imagery that contends that form is the source of substantive identity.
Contents:
Front Matter
Contents
Preface
Acknowledgments
Foreword
Random Walks
Part One
Never on Sontag
Culling and Dereading, or the Pursuit of Absence
The Autoerotic Text
On the Essay, or the Jubilation of the Lambda
The End of Poetry
The Word and the Stone
Fellatiotics: The Relation between Surface and Depth
Notes on Lucianic Satire
Part Two
The Trial As Jewish Joke
Framing Layton
Pronominal Debris
Intoxicated Words: Language in Shakespeare’s Late Romances
Dukes and Duchesses: A Minority View of “My Last Duchess”
Joyces’s Choices
Swift and Sartorism
Notes
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references.
ISBN:
1-282-85464-X
9786612854644
0-7735-6674-0
OCLC:
929121261

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account