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Landscapes of loss : the national past in postwar French cinema / Naomi Greene.

De Gruyter Princeton University Press eBook Package Archive 1927-1999 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Ebook Central University Press Available online

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Ebscohost Ebooks University Press Collection (North America) Available online

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Format:
Book
Author/Creator:
Greene, Naomi, 1942-
Language:
English
Subjects (All):
Motion pictures--France--History.
Motion pictures.
Motion pictures--Social aspects--France.
France--In motion pictures.
France.
Physical Description:
1 online resource (243 p.)
Edition:
Core Textbook
Place of Publication:
Princeton, N.J. : Princeton University Press, c1999.
Language Note:
English
Summary:
In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960's. Observing that the sense of grandeur and destiny that once shaped French identity has eroded under the weight of recent history, Greene examines the ways in which French cinema has represented traumatic and defining moments of the nation's past: the political battles of the 1930's, the Vichy era, decolonization, the collapse of ideologies. Drawing upon a broad spectrum of films and directors, she shows how postwar films have reflected contemporary concerns even as they have created images and myths that have helped determine the contours of French memory. This study of the intricate links between French history, memory, and cinema begins by examining the long shadow cast by the Vichy past: the repressed memories and smothered unease that characterize the cinema of Alain Resnais are seen as a kind of prelude to a fierce battle for national memory that marked so-called rétro films of the 1970's and 1980's. The shifting political and historical perspectives toward the nation's more distant past, which also emerged in these years, are explored in the light of the films of one of France's leading directors, Bertrand Tavernier. Finally, the mood of nostalgia and melancholy that appears to haunt contemporary France is analyzed in the context of films about the nation's imperial past as well as those that hark back to a "golden age," a remembered paradis perdu, of French cinema itself.
Contents:
Front matter
Contents
Acknowledgments
I. Introduction
II. Alain Resnais: The Ghosts of History
III. Battles for Memory: Vichy Revisited
IV. Bertrand Tavernier: History in the Present Tense
V. Memory and Its Losses: Troubled Dreams of Empire
VI. A la recherche du temps perdu: The Specter of Populism
Epilogue
Notes
Index
Notes:
Description based upon print version of record.
Includes bibliographical references (p. [195]-225) and index.
ISBN:
9786612753701
9781400803057
1400803055
9781282753709
1282753703
9781400823048
1400823048
9781400811854
1400811856
OCLC:
700688602

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