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The social and religious designs of J.S. Bach's Brandenburg concertos / Michael Marissen.

De Gruyter Princeton University Press eBook Package Archive 1927-1999 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Format:
Book
Author/Creator:
Marissen, Michael.
Language:
English
Subjects (All):
Bach, Johann Sebastian, 1685-1750. Brandenburgische Konzerte.
Bach, Johann Sebastian.
Physical Description:
1 online resource (163 p.)
Edition:
Course Book
Place of Publication:
Princeton : Princeton University Press, 1995.
Language Note:
English
Summary:
This new investigation of the Brandenburg Concertos explores musical, social, and religious implications of Bach's treatment of eighteenth-century musical hierarchies. By reference to contemporary music theory, to alternate notions of the meaning of "concerto," and to various eighteenth-century conventions of form and instrumentation, the book argues that the Brandenburg Concertos are better understood not as an arbitrary collection of unrelated examples of "pure" instrumental music, but rather as a carefully compiled and meaningfully organized set. It shows how Bach's concertos challenge (as opposed to reflect) existing musical and social hierarchies. Careful consideration of Lutheran theology and Bach's documented understanding of it reveals, however, that his music should not be understood to call for progressive political action. One important message of Lutheranism, and, in this interpretation, of Bach's concertos, is that in the next world, the heavenly one, the hierarchies of the present world will no longer be necessary. Bach's music more likely instructs its listeners how to think about and spiritually cope with contemporary hierarchies than how to act upon them. In this sense, contrary to currently accepted views, Bach's concertos share with his extensive output of vocal music for the Lutheran liturgy an essentially religious character.
Contents:
Front matter
Contents
Acknowledgments
INTRODUCTION. Bach's Musical Contexts
CHAPTER ONE. Relationships between Scoring and Structure in Individual Concertos
CHAPTER TWO. The Six Concertos as a Set
CHAPTER THREE. Lutheran Belief and Bach's Music
Appendix 1. Text-Critical Notes on Early Copies of the Sixth Brandenburg Concerto
Appendix 2. Notes on Bach's Notation of the Gamba Parts in the Margrave of Brandenburg's Dedication Score
Works Cited
Index
Notes:
Description based upon print version of record.
Includes bibliographical references (p. 135-144) and index.
ISBN:
9786612752209
9781400805099
1400805090
9781400805105
1400805104
9781400821655
1400821657
9781282752207
1282752200
9781400812608
1400812607
OCLC:
700688646

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