My Account Log in

3 options

Framing female lawyers : women on trial in film / Cynthia Lucia.

De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central University Press Available online

View online
Format:
Book
Author/Creator:
Lucia, Cynthia A. Barto (Cynthia Anne Barto)
Language:
English
Subjects (All):
Women lawyers in motion pictures.
Justice, Administration of, in motion pictures.
Physical Description:
1 online resource (284 p.)
Edition:
1st ed.
Place of Publication:
Austin : University of Texas Press, 2005.
Language Note:
English
Summary:
As real women increasingly entered the professions from the 1970s onward, their cinematic counterparts followed suit. Women lawyers, in particular, were the protagonists of many Hollywood films of the Reagan-Bush era, serving as a kind of shorthand reference any time a script needed a powerful career woman. Yet a close viewing of these films reveals contradictions and anxieties that belie the films' apparent acceptance of women's professional roles. In film after film, the woman lawyer herself effectively ends up "on trial" for violating norms of femininity and patriarchal authority. In this book, Cynthia Lucia offers a sustained analysis of women lawyer films as a genre and as a site where other genres including film noir, maternal melodrama, thrillers, action romance, and romantic comedy intersect. She traces Hollywood representations of female lawyers through close readings of films from the 1949 Adam's Rib through films of the 1980s and 1990s, including Jagged Edge, The Accused, and The Client, among others. She also examines several key male lawyer films and two independent films, Lizzie Borden's Love Crimes and Susan Streitfeld's Female Perversions. Lucia convincingly demonstrates that making movies about women lawyers and the law provides unusually fertile ground for exploring patriarchy in crisis. This, she argues, is the cultural stimulus that prompts filmmakers to create stories about powerful women that simultaneously question and undermine women's right to wield authority.
Contents:
Frontmatter
CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION
CHAPTER 1 The Law Is the Law
APTER 2 Father Knows Best
CHAPTER 3 Female Lawyers and the Maternal
CHAPTER 4 A Question of Genre
CHAPTER 5 Female Power and Masculine Crisis
CHAPTER 6 Genre, Gender, and Law
CHAPTER 7 Feminist Address and Spectatorship in The Accused, Love Crimes, and Female Perversions
CONCLUSION. Female Lawyers in the Twenty-First Century
NOTES
FILMOGRAPHY
BIBLIOGRAPHY
INDEX
Notes:
Bibliographic Level Mode of Issuance: Monograph
Filmography: p. [249]-250.
Includes bibliographical references (p. [251]-256) and index.
ISBN:
0-292-79703-6
OCLC:
191818299

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account