My Account Log in

8 options

Reflections of an American composer / Arthur Berger.

De Gruyter University of California Press Backlist eBook-Package 2000-2013 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost eBook Community College Collection Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central College Complete Available online

View online

Ebook Central University Press Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online

UC Press E-Books Collection, 1982-2004 (Public) Available online

View online
Format:
Book
Author/Creator:
Berger, Arthur, 1912-2003.
Language:
English
Subjects (All):
Music--United States--History and criticism.
Music.
Berger, Arthur, 1912-2003.
Berger, Arthur.
Physical Description:
1 online resource (288 p.)
Edition:
1st ed.
Place of Publication:
Berkeley : University of California Press, c2002.
Language Note:
English
Summary:
In this engrossing collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the twentieth century. Witty, urbane, and always entertaining, Berger describes the music scene in New York and Boston since the 1930's, discussing the heady days when he was a member of a tight-knit circle of avant-garde young composers mentored by Aaron Copland as well as his participation in a group at Harvard University dedicated to Stravinsky. As Virgil Thomson's associate on the New York Herald Tribune and founding editor of the prestigious Perspectives of New Music, Berger became one of the preeminent observers and critics of American music. His reflections on the role of music in contemporary life, his journalism career, and how changes in academia influence the composition and teaching of music offer a unique perspective informed by Berger's abundant intelligence and experience.
Contents:
Front matter
Contents
Acknowledgments
Introduction
1. Composers and Their Audience in the Thirties
2. Nationalism
3. Is Music in Decline?
4. Rendezvous with Apollo: Form Is Feeling
5. Reinventing the Past: Pastiche, Collage, or "Criticism"?
6. Serialism: Composer as Theorist
7. Rapprochement or Friendly Takeover?
8. Postmodern Music
9. Virgil Thomson and the Press
10. Music on My Beat
11. PNM and the Ph.D.
12. A Tale of Two Critics: Rosenfeld and Haggin
13. Do We Hear What We Say We Hear?
14. New Linguistic Modes and the New Theory
15. The Octatonic Scale
16. Backstage at the Opera
17. A Tale of Two Conductors: Koussevitzky and Mitropoulos
18. From My Diary: Brief Encounters
Appendix: From My Scrapbook
Notes
Index
Notes:
Description based upon print version of record.
Description based on print version record and CIP data provided by publisher; resource not viewed.
Includes bibliographical references and index.
ISBN:
9781597348577
1597348570
9780520928213
0520928210
OCLC:
475926888

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account