My Account Log in

5 options

How the Russians read the French : Lermontov, Dostoevsky, Tolstoy / Priscilla Meyer.

ACLS Humanities eBook Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost eBook Community College Collection Available online

View online

Ebook Central Academic Complete Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online
Format:
Book
Author/Creator:
Meyer, Priscilla.
Language:
English
Subjects (All):
Lermontov, Mikhail IUrevich, 1814-1841--Criticism and interpretation.
Lermontov, Mikhail IUrevich.
Dostoyevsky, Fyodor, 1821-1881--Criticism and interpretation.
Dostoyevsky, Fyodor.
Tolstoy, Leo, graf, 1828-1910--Criticism and interpretation.
Tolstoy, Leo.
Russian literature--19th century--French influences.
Russian literature.
Physical Description:
1 online resource (xiv, 277 pages) : illustrations
Edition:
1st ed.
Place of Publication:
Madison, WI : University of Wisconsin Press, c2008.
Language Note:
English
Summary:
Russian writers of the nineteenth century were quite consciously creating a new national literary tradition. They saw themselves self-consciously through Western European eyes, at once admiring Europe and feeling inferior to it. This ambivalence was perhaps most keenly felt in relation to France, whose language and culture had shaped the world of the Russian aristocracy from the time of Catherine the Great. In How the Russians Read the French , Priscilla Meyer shows how Mikhail Lermontov, Fyodor Dostoevsky, and Lev Tolstoy engaged with French literature and culture to define their own positions as Russian writers with specifically Russian aesthetic and moral values. Rejecting French sensationalism and what they perceived as a lack of spirituality among Westerners, these three writers attempted to create moral and philosophical works of art that drew on sources deemed more acceptable to a Russian worldview, particularly Pushkin and the Gospels. Through close readings of A Hero of Our Time , Crime and Punishment , and Anna Karenina , Meyer argues that each of these great Russian authors takes the French tradition as a thesis, proposes his own antithesis, and creates in his novel a synthesis meant to foster a genuinely Russian national tradition, free from imitation of Western models. Winner, University of Southern California Book Prize in Literary and Cultural Studies, American Association for the Advancement of Slavic Studies.
Contents:
List of Illustrations; Acknowledgments; Introduction: The Russians and the French; 1. From Poetry to Prose: Pushkin, Gogol, and the Revue étrangère; The Revue étrangère; The Bronze Horseman; "The Overcoat"; Lermontov, Dostoevsky, and Tolstoy; 2. Lermontov, A Hero of Our Time; Lermontov and the French; Pushkin; Synthesis: Foreign and Native; 3. Dostoevsky, Crime and Punishment; France; A Modern Gospel; Synthesis: Novel and Gospel; 4. Tolstoy, Anna Karenina; The French and Adultery; The Gospels; Conclusion; From Romanticism to Realism; The Everyday; The Hierarchy of Subtexts. Appendix: "The Flood at Nantes"Notes; Bibliography; Index
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references (p. 249-261) and index.
ISBN:
9786612594823
9781282594821
1282594826
9780299229337
0299229335
OCLC:
732605509
Publisher Number:
2027/heb32544 hdl

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account