My Account Log in

7 options

Elegy for theory / D.N. Rodowick.

ACLS Humanities eBook Available online

View online

De Gruyter Harvard University Press Complete eBook-Package 2014-2015 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost Ebook Public Library Collection - North America Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central University Press Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online
Format:
Book
Author/Creator:
Rodowick, David Norman.
Language:
English
Subjects (All):
Motion pictures--Philosophy.
Motion pictures.
Physical Description:
1 online resource (304 p.)
Edition:
1st ed.
Place of Publication:
Cambridge, Massachusetts ; London, England : Harvard University Press, 2014.
Language Note:
English
Summary:
Rhetorically charged debates over theory have divided scholars of the humanities for decades. In Elegy for Theory, D. N. Rodowick steps back from well-rehearsed arguments pro and con to assess why theory has become such a deeply contested concept. Far from lobbying for a return to the "high theory" of the 1970's and 1980's, he calls for a vigorous dialogue on what should constitute a new, ethically inflected philosophy of the humanities. Rodowick develops an ambitiously cross-disciplinary critique of theory as an academic discourse, tracing its historical displacements from ancient concepts of theoria through late modern concepts of the aesthetic and into the twentieth century. The genealogy of theory, he argues, is constituted by two main lines of descent--one that goes back to philosophy and the other rooted instead in the history of positivism and the rise of the empirical sciences. Giving literature, philosophy, and aesthetics their due, Rodowick asserts that the mid-twentieth-century rise of theory within the academy cannot be understood apart from the emergence of cinema and visual studies. To ask the question, "What is cinema?" is to also open up in new ways the broader question of what is art.
Contents:
Front matter
Contents
In Place of Beginning ...
1. A Compass in a Moving World
2. Many Lines of Descent
3. Theoria as Practical Philosophy
4. The Sage Is Wise Only in Theory
5. Variations and Discontinuities: Aesthetic
6. How Art Found Theory
7. Philosophy before the Arts
8. The Rarity of Theory
9. On the History of Film Theory
10. Genres of Theory
11. Excursus: Ricciotto Canudo and the Aesthetic Discourse
12. On the Way to Language
13. The Travels of Formalism
14. An Uncertain and Irrational Art
15. A Small History of Structuralism
16. After the Long Eclipse
17. An Object, a Method, a Domain
18. A Care for the Claims of Theory
19. The Sense of an Ending
20. "Suddenly, an Age of Theory"
21. The Fifth Element
22. "A Struggle without End, Exterior and Interior"
23. Becoming a Subject in Theory
Acknowledgments
Index
Notes:
Includes index.
Includes bibliographical references and index.
Description based on print version record.
ISBN:
9780674727014
0674727010
9780674726086
0674726081
OCLC:
867050098

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account