My Account Log in

5 options

Monstrous Opera : Rameau and the Tragic Tradition / Charles Dill.

De Gruyter Princeton University Press eBook Package Archive 1927-1999 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost Ebook Public Library Collection - North America Available online

View online

Ebook Central University Press Available online

View online

Music Periodicals Database (formerly International Index to Music Periodicals (IIMP+IIMP Full Text) ) Available online

View online
Format:
Book
Author/Creator:
Dill, Charles, author.
Series:
Princeton studies in opera.
Princeton Studies in Opera ; 26
Language:
English
Subjects (All):
Tragedy in music.
Opera--France--18th century.
Opera.
Rameau, Jean-Philippe, 1683-1764. Operas.
Genre:
Electronic books.
Physical Description:
1 online resource (220 p.)
Edition:
Course Book
Place of Publication:
Princeton, NJ : Princeton University Press, [2014]
Language Note:
English
Summary:
One of the foremost composers of the French Baroque operatic tradition, Rameau is often cited for his struggle to steer lyric tragedy away from its strict Lullian form, inspired by spoken tragedy, and toward a more expressive musical style. In this fresh exploration of Rameau's compositional aesthetic, Charles Dill depicts a much more complicated figure: one obsessed with tradition, music theory, his own creative instincts, and the public's expectations of his music. Dill examines the ways Rameau mediated among these often competing values and how he interacted with his critics and with the public. The result is a sophisticated rethinking of Rameau as a musical innovator.In his compositions, Rameau tried to highlight music's potential for dramatic meanings. But his listeners, who understood lyric tragedy to be a poetic rather than musical genre, were generally frustrated by these attempts. In fact, some described Rameau's music as monstrous--using an image of deformity to represent the failure of reason and communication. Dill shows how Rameau answered his critics with rational, theoretical arguments about the role of music in lyric tragedy. At the same time, however, the composer sought to placate his audiences by substantially revising his musical texts in later performances, sometimes abandoning his most creative ideas.Monstrous Opera illuminates the complexity of Rameau's vision, revealing not only the tensions within the music but also the conflicting desires that drove the man--himself caricatured by his contemporaries as a monster.Originally published in 1998.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Contents:
Frontmatter
Contents
Preface
Abbreviations
Chapter 1. Monstrous Opera
Chapter 2. Different Tragedies
Chapter 3. Rameau's Twins
Chapter 4. Rameau Mise-en-Scène
Chapter 5. In the Mirror
Notes
Sources Cited
Index
Notes:
Description based upon print version of record.
Includes bibliographical references (p. [183]-193) and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019)
ISBN:
9780691633336
0691633339
9780691604145
0691604142
9781400864812
140086481X
OCLC:
884012786

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account