My Account Log in

5 options

Heartland TV : prime time television and the struggle for U.S. identity / Victoria E. Johnson.

ACLS Humanities eBook Available online

View online

De Gruyter New York University Press Backlist 2000-2013 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central College Complete Available online

View online
Format:
Book
Author/Creator:
Johnson, Victoria E.
Series:
ACLS Humanities E-Book.
Language:
English
Subjects (All):
Television broadcasting of news--United States.
Television broadcasting of news.
Middle West--On television.
Middle West.
Middle West--Press coverage--United States.
Physical Description:
1 online resource (x, 262 p. ) ill. ;
Edition:
1st ed.
Place of Publication:
New York : New York University Press, c2008.
Language Note:
English
Summary:
Winner of the 2009 Society for Cinema and Media Studies Katherine Singer Kovacs Book AwardThe Midwest of popular imagination is a "Heartland" characterized by traditional cultural values and mass market dispositions. Whether cast positively -; as authentic, pastoral, populist, hardworking, and all-American-or negatively-as backward, narrow–minded, unsophisticated, conservative, and out-of-touch-the myth of the Heartland endures.Heartland TV examines the centrality of this myth to television's promotion and development, programming and marketing appeals, and public debates over the medium's and its audience's cultural worth. Victoria E. Johnson investigates how the "square" image of the heartland has been ritually recuperated on prime time television, from The Lawrence Welk Show in the 1950s, to documentary specials in the 1960s, to The Mary Tyler Moore Show in the 1970s, to Ellen in the 1990s. She also examines news specials on the Oklahoma City bombing to reveal how that city has been inscribed as the epitome of a timeless, pastoral heartland, and concludes with an analysis of network branding practices and appeals to an imagined "red state" audience.Johnson argues that non-white, queer, and urban culture is consistently erased from depictions of the Midwest in order to reinforce its "reassuring" image as white and straight. Through analyses of policy, industry discourse, and case studies of specific shows, Heartland TV exposes the cultural function of the Midwest as a site of national transference and disavowal with regard to race, sexuality, and citizenship ideals.
Contents:
Introduction: TV, the heartland myth, and the value of cultural populism
"Essential, desirable, and possible markets": broadcasting midwestern tastes and values
Square dancing and champagne music: regional aesthetics and Middle America
"Strictly conventional and moral": CBS Reports in Webster Groves
"You're gonna make it after all!": the urbane Midwest in MTM Productions' "quality" comedies
"There is no 'Dayton chic'": queering the Midwest in Roseanne, Ellen, and The Ellen Show
Fertility among the ruins: reconstituting the traumatized heartland
Epilogue: Red state, blue state, purple heartland.
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references and index.
ISBN:
9780814743621
0814743625
9780814743027
0814743021
OCLC:
213815678

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account