My Account Log in

8 options

Chanteuse in the city : the realist singer in French film / Kelley Conway.

ACLS Humanities eBook Available online

View online

De Gruyter University of California Press Backlist eBook-Package 2000-2013 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost eBook Community College Collection Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central College Complete Available online

View online

Ebook Central University Press Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online
Format:
Book
Author/Creator:
Conway, Kelley, 1963-
Language:
English
Subjects (All):
Popular music--France--History and criticism.
Popular music.
Motion picture music--France--History and criticism.
Motion picture music.
Women singers--France.
Women singers.
Motion pictures--France--History.
Motion pictures.
Physical Description:
1 online resource (277 p.)
Edition:
1st ed.
Place of Publication:
Berkeley : University of California Press, c2004.
Language Note:
English
Summary:
Long before Edith Piaf sang "La vie en rose," her predecessors took to the stage of the belle epoque music hall, singing of female desire, the treachery of men, the harshness of working-class life, and the rough neighborhoods of Paris. Icon of working-class femininity and the underworld, the realist singer signaled the emergence of new cultural roles for women as well as shifts in the nature of popular entertainment. Chanteuse in the City provides a genealogy of realist performance through analysis of the music hall careers and film roles of Mistinguett, Josephine Baker, Fréhel, and Damia. Above all, Conway offers a fresh interpretation of 1930's French cinema, emphasizing its love affair with popular song and its close connections to the music hall and the café-concert. Conway uncovers an important tradition of female performance in the golden era of French film, usually viewed as a cinema preoccupied with masculinity. She shows how-in films such as Pépé le Moko, Le Crime de Monsieur Lange, and Zouzou-the realist chanteuse addresses female despair at the hopelessness of love. Conway also sheds light on the larger cultural implications of the shift from the intimate café-concert to the spectacular music hall, before the talkies displaced both kinds of live performance altogether.
Contents:
Introduction
Caf-conc' : the rise of the unruly woman
Music hall Miss
Voices from the past
The revue star and the realist singer : the return of the unruly woman
Violent spectatorship : mechanical reproduction, the female voice, and the imaginary of intimacy
Conclusion.
Notes:
Description based upon print version of record.
Includes filmography (p. 185), bibliographical references (p. 223-230), and index.
Description based on print version record and CIP data provided by publisher; resource not viewed.
ISBN:
9786612763182
9780520938571
0520938577
9781282763180
1282763180
9781597345279
159734527X
OCLC:
475926817

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account