My Account Log in

4 options

Americanizing the movies and "movie-mad" audiences, 1910-1914 / Richard Abel.

ACLS Humanities eBook Available online

View online

De Gruyter University of California Press Backlist eBook-Package 2000-2013 Available online

View online

Ebook Central Academic Complete Available online

View online

Ebook Central University Press Available online

View online
Format:
Book
Author/Creator:
Abel, Richard, 1941-
Language:
English
Subjects (All):
Motion pictures--United States--History.
Motion pictures.
Motion pictures--Social aspects--United States.
Nationalism--United States.
Nationalism.
Physical Description:
1 online resource (392 p.)
Edition:
1st ed.
Other Title:
Imagined community of United States cinema
Place of Publication:
Berkeley : University of California Press, c2006.
Language Note:
English
Summary:
This engaging, deeply researched study provides the richest and most nuanced picture we have to date of cinema-both movies and movie-going-in the early 1910's. At the same time, it makes clear the profound relationship between early cinema and the construction of a national identity in this important transitional period in the United States. Richard Abel looks closely at sensational melodramas, including westerns (cowboy, cowboy-girl, and Indian pictures), Civil War films (especially girl-spy films), detective films, and animal pictures-all popular genres of the day that have received little critical attention. He simultaneously analyzes film distribution and exhibition practices in order to reconstruct a context for understanding moviegoing at a time when American cities were coming to grips with new groups of immigrants and women working outside the home. Drawing from a wealth of research in archive prints, the trade press, fan magazines, newspaper advertising, reviews, and syndicated columns-the latter of which highlight the importance of the emerging star system-Abel sheds new light on the history of the film industry, on working-class and immigrant culture at the turn of the century, and on the process of imaging a national community.
Contents:
Front matter
Contents
Illustrations
Acknowledgments
L'Envoi of Moving Pictures
Introduction
Chapter 1. American Variety and/or Foreign Features
Entr'acte 1. Mapping the Local Terrain of Exhibition
Chapter 2. The "Usable Past" of Westerns
Entr'acte 2. Moviegoing Habits and Everyday Life
Chapter 3. The "Usable Past" of Westerns
Entr'acte 3. A "Forgotten" Part of the Program
Chapter 4. The "Usable Past" of Civil War Films
Entr'acte 4. Another "Forgotten" Part of the Program
Chapter 5. The "Usable Present" of Thrillers
Entr'acte 5. Trash Twins
Chapter 6. "The Power of Personality in Pictures"
Notes
Bibliography
Index
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
Description based on print version record and CIP data provided by publisher; resource not viewed.
ISBN:
9786612358395
9781282358393
1282358391
9780520939523
0520939522
OCLC:
227038187

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account