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Local acts : community-based performance in the United States / Jan Cohen-Cruz.

De Gruyter Rutgers University Press Backlist eBook-Package 2000-2013 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Ebook Central Academic Complete Available online

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Ebook Central College Complete Available online

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International Bibliography of Theatre and Dance Available from 2005 until 2005. Available online

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Format:
Book
Author/Creator:
Cohen-Cruz, Jan, 1950-
Series:
Rutgers series on the public life of the arts.
Rutgers series on the public life of the arts
Language:
English
Subjects (All):
Community theater--United States.
Community theater.
Theater and society--United States.
Theater and society.
Physical Description:
1 online resource (227 p.)
Edition:
1st ed.
Other Title:
Community-based performance in the United States
Place of Publication:
New Brunswick, N.J. : Rutgers University Press, c2005.
Language Note:
English
Summary:
An eclectic mix of art, theatre, dance, politics, experimentation, and ritual, community-based performance has become an increasingly popular art movement in the United States. Forged by the collaborative efforts of professional artists and local residents, this unique field brings performance together with a range of political, cultural, and social projects, such as community-organizing, cultural self-representation, and education. Local Acts presents a long-overdue survey of community-based performance from its early roots, through its flourishing during the politically-turbulent 1960's, to present-day popular culture. Drawing on nine case studies, including groups such as the African American June bug Productions, the Appalachian Roadside Theater, and the Puerto Rican Teatro Pregones, Jan Cohen-Cruz provides detailed descriptions of performances and processes, first-person stories, and analysis. She shows how the ritual side of these endeavors reinforces a sense of community identification while the aesthetic side enables local residents to transgress cultural norms, to question group habits, and to incorporate a level of craft that makes the work accessible to individuals beyond any one community. The book concludes by exploring how community-based performance transcends even national boundaries, connecting the local United States with international theater and cultural movements.
Contents:
Front matter
Contents
List of Illustrations
Acknowledgments
Introduction
1 Early Antecedents
2 Motion of the Ocean
3 Establishing the Field
4 Between Ritual and Art
5 Criticism
6 Storytelling
7 Performance Structures
Closing: Boundary Jumping
Notes
Bibliography
Index
Notes:
Description based upon print version of record.
Includes bibliographical references (p. 195-203) and index.
ISBN:
1-280-36087-9
9786610360871
0-8135-3758-4
OCLC:
806204728

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