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Acting naturally : Victorian theatricality and authenticity / Lynn M. Voskuil.
International Bibliography of Theatre and Dance Available from 2004 until 2004. Available online
View online- Format:
- Book
- Author/Creator:
- Voskuil, Lynn M.
- Series:
- Victorian literature and culture series
- Victorian literature and culture series Acting naturally
- Language:
- English
- Subjects (All):
- Great Britain--Civilization--19th century.
- Great Britain.
- National characteristics, British--History--19th century.
- National characteristics, British.
- Performing arts--Social aspects--Great Britain--History--19th century.
- Performing arts.
- Acting--Social aspects--Great Britain--History--19th century.
- Acting.
- Theater and society--Great Britain--History--19th century.
- Theater and society.
- English literature--19th century--History and criticism.
- English literature.
- Great Britain--History--Victoria, 1837-1901.
- Sincerity in literature.
- Theater and society--History--19th century.
- Genre:
- Criticism, interpretation, etc.
- History.
- Physical Description:
- 1 online resource (xi, 268 p. ) ill. ;
- Place of Publication:
- Charlottesville : University of Virginia Press, 2004.
- Language Note:
- English
- Summary:
- "In Acting Naturally Lynn Voskuil argues that Victorian Britons saw themselves as "authentically performative," a paradoxical belief that focused their sense of vocation as individuals, as a public, and as a nation. Rather than confirming the customary view of Victorian England as fundamentally antitheatrical, Voskuil shows instead how the Victorians' fabled commitment to the culture of sincerity was often authorized, rather than invariably threatened, by their equally powerful fascination with acting and performance. She explores a diverse range of materials: plays, novels, drama and theater criticism, newspaper reviews and columns, theatrical memoirs, private diaries and letters, cartoons, political pamphlets, and satires.
- Throughout, Voskuil charts the mid-Victorian heyday of these beliefs and their late-Victorian transformations in a variety of cultural practices and controversies, among them the conduct of audiences at sensation theater in the 1860s, political debates over the Eastern Question in the 1870s, and the cult of personality that shaped the popularity of the stage actors Henry Irving and Ellen Terry in the late 1880s."
- "By demonstrating that Britons were perceived or enjoined to "act naturally" in such cases, this path-breaking book not only offers an innovative interpretation of Victorian culture but also challenges what has become a theoretical commonplace: the unreflective use of postmodern theatricality to explain earlier cultures and literatures. Precisely by analyzing central issues in the historical context of the nineteenth century, Acting Naturally reconceives widely used theoretical models that have influenced literary, performance, and cultural studies more broadly in the twentieth and twenty-first centuries."--Jacket.
- Contents:
- "Spectators of ourselves" : theatricality and self-knowledge
- Feeling public : sensation theater, commodity culture, and the Victorian public sphere
- National theaters : Daniel Deronda and the theatricality of nationhood
- A political masquerade : Disraeli, Victoria, and the Royal Titles Bill
- Natural celebrities : Henry Irving, Ellen Terry, and the power of personality.
- Notes:
- Includes bibliographical references (p. [241]-253) and index.
- Bibliographic Level Mode of Issuance: Monograph
- ISBN:
- 0-8139-2269-0
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