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Shakespeare without women : representing gender and race on the Renaissance stage / Dympna Callaghan.

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International Bibliography of Theatre and Dance Available from 1999. Available online

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Format:
Book
Author/Creator:
Callaghan, Dympna.
Series:
Accents on Shakespeare.
Accents on Shakespeare
Language:
English
Subjects (All):
Shakespeare, William, 1564-1616--Characters--Women.
Shakespeare, William.
Shakespeare, William, 1564-1616--Characters--Africans.
Shakespeare, William, 1564-1616--Stage history--To 1625.
Shakespeare, William, 1564-1616--Political and social views.
Theater--Casting--England--History--16th century.
Theater.
Theater--Casting--England--History--17th century.
Feminism and theater--England--History.
Feminism and theater.
Female impersonators--England--History.
Female impersonators.
Theater and society--England--History.
Theater and society.
Africans in literature.
Black people in literature.
Women in literature.
Physical Description:
xiii, 219 p. : ill.
Edition:
1st ed.
Place of Publication:
London ; New York : Routledge, 2000.
Language Note:
English
Summary:
Shakespeare Without Women is a controversial study of female impersonation and the connections between dramatic and political representation in Shakespeare's plays.
Contents:
chapter Introduction
Cleopatra had a way with her
chapter 1 And all is semblative a woman's part
Body politics and Twelfth Night
chapter 2 The castrator's song
Female impersonation on the early modern stage
chapter 3 Othello was a white man: Properties of race on
Properties of race on Shakespeare's stage / Shakespeare's stage
chapter 4 Irish memories in
chapter 5 What is an audience?.
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references (p. [187]-209) and index.
OCLC-licensed vendor bibliographic record.
ISBN:
1-134-63311-4
1-134-63312-2
1-280-31743-4
0-203-45772-2
9780203457726
OCLC:
51045870

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