My Account Log in

4 options

Alienation effects : performance and self-management in Yugoslavia, 1945-91 / Branislav Jakovljević.

DOAB Directory of Open Access Books Available online

View online

JSTOR Books Open Access Available online

View online

OAPEN Available online

View online

Project MUSE Open Access Books Available online

View online
Format:
Book
Author/Creator:
Jakovljević, Branislav, author.
Contributor:
Michigan Publishing (University of Michigan), publisher.
Series:
Theater--text/theory/performance.
Theater: Theory/Text/Performance
Language:
English
Subjects (All):
Socialism and the arts--Yugoslavia--History--20th century.
Socialism and the arts.
Performance art--Political aspects--Yugoslavia--History--20th century.
Performance art.
Performance art--Social aspects--Yugoslavia--History--20th century.
Physical Description:
1 online resource (xii, 370 pages). : illustrations
Edition:
1st ed.
Place of Publication:
Ann Arbor ; University of Michigan Press, [2016]
Language Note:
Text in English.
System Details:
text file
Summary:
Exciting new scholarship has been emerging as performance studies scholars begin to turn their attention to the performance of politics, nationhood, and jurisprudence. Branislav Jakovljevic's project on the history and eventual demise of the former Yugoslavia demonstrates how fruitful this approach can be. Jakovljevic considers the concept of theatricality as central to understanding the events that took place in Yugoslavia. He examines the country's trials, state ceremonies and festivals, army maneuvers, propaganda, and pop culture as "rehearsals and temporary enactments of an ideologically formulated future." His first chapter reveals the surrealist, avant-garde origins of key members of the Yugoslav bureaucracy after WWII, suggesting that those connections helped the culture of socialist Yugoslavia become a performance-centered culture. Continuing to explore the relationship between the political avant-garde and the artistic avant-garde, he looks at the spectacle of student demonstrations in Belgrade in 1968, and, in their aftermath, the rise of performance art in the country. The third chapter (included here) zeros in on the various political performances of Slobodan Milosevic, including his courtroom testimony at the ICTY, the International Criminal Tribunal for the former Yugoslavia. The fourth chapter discusses the "Peter Handke Affair," when the Austrian playwright had a major prize revoked after he attended Milosevic's funeral and recited a poem he had written in Milosevic's honor.
Contents:
Introduction: socialism and sociality
One. Bodywriting
Two. Syntactical Performances
Three. Disalienation Defects
Afterword: "A" is for ...
Notes:
Includes index.
Includes bibliographical references (pages 331-352) and index.
CC BY
Description based on information from the publisher.
Description based on publisher supplied metadata and other sources.
ISBN:
9780472121984
0472121987
9780472900589
0472900587
OCLC:
956320970
Publisher Number:
10.3998/mpub.338565

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account