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Music in medieval Europe / Jeremy Yudkin.

Van Pelt - Albrecht Music Library ML171 .Y8 2016
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Format:
Book
Author/Creator:
Yudkin, Jeremy, author.
Language:
English
Subjects (All):
Music--500-1400--History and criticism.
Music.
Genre:
Criticism, interpretation, etc.
Physical Description:
xxiii, 513 pages : illustrations, maps, music ; 24 cm
Edition:
Second edition.
Place of Publication:
New York, NY : Oxford University Press, [2016]
Summary:
Combines a complete history and score anthology for students of medieval music, Music in Medieval Europe combines a cultural history of the Middle Ages and in-depth scholarship on the music and leading composers active during the period. The text includes an integrated anthology of key works with approachable and enlightening explanations, making it easily accessible to both beginning and advanced students. Its chronological organization, broad scope, and detailed music analyses makes Music in Medieval Europe an ideal introductory text. Features, Covers the major composers, musical styles, and works of the medieval period, An in-text anthology features all of the major works, eliminating the need for a separate purchase, A wide variety of source materials, all translated by Jeremy Yudkin, offers fresh interpretations of classic works, Illustrations of source manuscripts and artwork provide added context Book jacket.
Contents:
Chapter 1 The Middle Ages 1
Life in Medieval Europe 2
The Medieval Heritage 7
The Years 400-1000 9
The Years 1000-1400 10
The Role of Music 13
Chapter 2 The Theoretical Tradition of Antiquity 15
The Ancient World 15
Music in Antiquity 17
Boethius 20
The Seven Liberal Arts 22
Augustine 23
Summary 24
Chapter 3 Chant and Liturgy 26
The Development of the Christian Church 26
Literature and Language of the Early Church 27
Development of the Liturgy 28
Charlemagne 30
Music in the Liturgy 32
Plainchant 34
Text and Music 34
Shape and Melodic Style 52
The Melodic Modes 55
Summary 63
Comments on Notation and Performance 63
Chapter 4 The Mass 68
Structure of the Mass 68
The Mass for Pentecost 71
Fore-Mass 71
Eucharist 100
Summary 114
Chapter 5 The Office 117
Monasticism in the Middle Ages 117
Structure of the Office 121
Matins for the Nativity 123
Introduction 123
The Nocturns 135
Conclusion 166
Summary 172
Chapter 6 900-1200: The Latin Tradition 173
Chant after Charlemagne 173
Tropes 177
Prosulas 185
Sequences 188
Latin Songs 198
The Rhymed Office 208
Latin Drama 208
Summary 212
Chapter 7 The Vernacular Tradition: 1000-1300 214
Southern France 214
Northern France 229
Italy 244
Iberia 247
England 253
Germany 254
Vernacular Drama 262
Summary 264
Comments on Notation and Performance 264
Chapter 8 Early Polyphony 267
Sources to the Twelfth Century 267
Twelfth-Century Sources 276
Aquitainian Polyphony 277
Codex Calixtinus 280
Summary 284
Chapter 9 The New Music of Paris 285
Paris: Its University and Cathedral 285
Leoninus 288
The Musical Style of the Magnus Liber 292
Conductus 302
Perotintis and Further Developments in the Thirteenth Century 305
Clausulae 306
Tripla and Quadrupla 309
From Clausula to Motet 314
The Motet to 1275 320
Hocket 321
The Conductus-Motet 323
The Motet Enté 323
The Late Thirteenth-Century Motet 333
English Motets 340
Summary 347
Comments on Notation and Performance 347
Chapter 10 Instrumental Music to 1300 351
Improvised Music 352
Instrumental Performance of Vocal Pieces 352
Dance Music 353
Instruments 358
Bowed Instrument 358
Plucked Instruments 360
Blown Instruments 362
Keyboard Instruments 365
Percussion 367
Summary 368
Chapter 11 The Fourteenth Century in France 369
The Roman de Fauvel 370
The Isorhythmic Motet 372
Guillaume de Machaut 384
The Motets 386
The Mass 392
The Secular Songs 397
Liturgical Polyphony 417
The Tournai Mass 418
Summary 424
Comments on Notation and Performance 425
Chapter 12 The Fourteenth Century in Italy 427
The Early Ballata 430
The Madrigal 432
The Caccia 435
The Canonic Madrigal 443
Francesco Landini 443
Instrumental Music 451
Liturgical Polyphony 459
Summary 463
Chapter 13 "Perfect Beauty" 465
The Avignon Style 466
English Music 481
Johannes Ciconia 483
Conclusion 504.
Notes:
Includes index.
ISBN:
9780190206123
0190206128
OCLC:
965446702

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