My Account Log in

1 option

The flowering of modern Chinese poetry : an anthology of verse from the Republican period / translated by Herbert Batt and Sheldon Zitner ; with introductions by Michel Hockx.

Van Pelt Library PL2658.E3 F56 2016
Loading location information...

Available This item is available for access.

Log in to request item
Format:
Book
Contributor:
Zitner, Sheldon P., translator.
Hockx, Michel, writer of introduction .
Batt, Herbert J., 1945- translator.
Language:
Chinese
English
Subjects (All):
Chinese poetry--20th century--Translations into English.
Chinese poetry.
Genre:
Translations.
Poetry.
Physical Description:
xvii, 430 pages ; 23 cm
Place of Publication:
Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2016]
Summary:
"This is an anthology of vernacular verse written in China between 1918 and 1949, which has been translated into English by Herbert Batt and Sheldon Zitner. Over 200 poems from more than forty authors are presented. The selections trace the development of the new form of verse that arose during the May Fourth Movement, as part of a transformation of Chinese culture. Innovative writers produced a new poetry written in the common vernacular, baihua, meaning "plain speech"--thus breaking with centuries of literary tradition that prized the classical form. The collection spans the period up to the establishment of the People's Republic in 1949, when the imposition of censorship by Mao arrested the production of experimental poetry on the mainland. Taking a broad perspective, the anthology presents poets of all political allegiances and poetic schools, from committed Communists to Nationalist poets who escaped from Mao with Chiang Kai-shek. There is a rich selection of poetry by women, including poems by well-known writers Bing Xin and Chen Jingrong, and the first English translation of poetry by the novelist Ding Ling. "The rise of vernacular verse in China in the early twentieth century coincided with a period of intense social dislocation. While ours is not a history book, the momentous social and political transformation in early twentieth-century China is the backdrop (in a sense even the engine) of the rise of New Poetry. Many of the poems were written in response to political and/or social events: imprisonment, battle, Japanese burning of villages and bombing of cities, wanderings through the war-ravaged countryside, and the deprivations of the poorest peasants of the great northwest. Other poems speak of the authors' experiences of the joys and sorrows of parenthood and family life, often set against the backdrop of war. The goal is to give a nuanced picture of the astonishingly rapid development of vernacular verse in China from its first appearance during the May Fourth Movement through 1949, the year of Mao's takeover and his imposition of censorship."-- Provided by publisher.
Notes:
Includes bibliographical references.
Other Format:
Flowering of modern Chinese poetry.
ISBN:
9780773547650
0773547657
9780773547667
0773547665
OCLC:
948339803

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account