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Ancient mythological images and their interpretation : an introduction to iconology, semiotics, and image studies in classical art history / Katharina Lorenz, University of Nottingham.

LIBRA N5613 .L67 2016
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Fine Arts Library N5613 .L67 2016
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Format:
Book
Author/Creator:
Lorenz, Katharina, author.
Language:
English
Subjects (All):
Art, Classical--Philosophy.
Art, Classical.
Art, Classical--History.
Mythology, Greek, in art.
Mythology, Roman, in art.
Visual communication--Philosophy.
Visual communication.
Visual communication--History.
Image (Philosophy).
Semiotics and art.
Classical antiquities.
History.
Philosophy.
Physical Description:
xiv, 288 pages ; 26 cm
Place of Publication:
Cambridge, United Kingdom ; New York, New York : Cambridge University Press, 2016.
Summary:
"When we try to make sense of pictures, what do we gain when we use a particular method--and what might we be missing or even losing? Empirical experimentation on three types of mythological imagery--a Classical Greek pot, a frieze from Hellenistic Pergamon and a second-century CE Roman sarcophagus--enables Katharina Lorenz to demonstrate how theoretical approaches to images (specifically, iconology, semiotics, and image studies) impact the meanings we elicit from Greek and Roman art. A guide to Classical images of myth, and also a critical history of Classical archaeology's attempts to give meaning to pictures, this book establishes a dialogue with the wider field of art history and proposes a new framework for the study of ancient visual culture. It will be essential reading not just for students of classical art history and archaeology, but for anyone interested in the possibilities--and the history--of studying visual culture"-- Provided by publisher.
"Proposes a new framework for the study of (ancient) visual culture based on engagement with Greek and Roman mythological imagery, appealing to those seeking to better their understanding of Greek and Roman cultural history; relates historiography and method development in Classical archaeology and ancient art history to the art history of more modern periods, and will therefore be of interest to readers interested in the Classical world and those concerned with more recent historical periods; tracks intellectual developments in different contexts and carves out their similarities and differences, speaking to readers from different intellectual backgrounds and familiarising them with broader developments in Western European art history"--Publisher's website.
Contents:
The Experiment : Methods, Images, Objects
[1] Iconology
Introducing Iconology
Iconology in Action
Narratives of Object and Meaning
[2] Semiotics
Introducing Semiotics
Semiotics in Action
Narratives of Sign and Signification
[3] Image Studies
Introducing Image Studies
Image Studies in Action
Narratives of Space and Perspective
The Experiment : a Summary.
Notes:
Includes bibliographical references and index.
ISBN:
9780521195089
052119508X
9780521139724
0521139724
OCLC:
949872316

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