2 options
A song of circles & triangles / Takemitsu.
- Format:
- Sound recording
- Author/Creator:
- Takemitsu, Tōru, composer.
- Series:
- Naxos Music Library.
- Standardized Title:
- Choral music. Selections
- Language:
- Japanese
- Subjects (All):
- Choruses, Secular (Mixed voices), Unaccompanied.
- Folk songs, Japanese--Japan.
- Folk songs, Japanese.
- Japan.
- Motion picture music--Excerpts, Arranged.
- Motion picture music.
- Genre:
- Streaming audio.
- Sound recordings.
- Excerpts.
- Arrangements (Music)
- Physical Description:
- 1 online resource (1 audio file)
- Other Title:
- Song of circles and triangles
- Place of Publication:
- [Place of publication not identified] : Decca, [1994]
- Language Note:
- Sung in Japanese.
- System Details:
- digital
- audio file
- Contents:
- Sakura = Cherry blossoms (3:31)
- Chiisana sora = Small sky (5:01)
- Utau dake = I just sing (4:14)
- Chiisana heya de = In a small room (3:46)
- Koi no kakurenbo = The game of love (2:00)
- Mienai kodomo = Unseen child (3:32)
- Ashita wa hare kana kumori kana = Will tomorrow, I wonder, be cloudy or clear? (1:45)
- Shima e = To the island (3:13)
- Shinda otoko no nokoshita mono wa = All that the man left behind when he died (4:58)
- [circle symbol] (Maru) to [triangle symbol] (Sankaku) no Uta = A song of circles and triangles (1:21)
- Sayonara (2:20)
- Tsubasa = Wings (2:02).
- Participant:
- Shin-yu Kai Choir ; Shin Sekiya, conductor.
- Notes:
- Principally songs arranged for chorus ; in part, originally written for motion pictures.
- Texts by the composer and others.
- Recorded 1992 Septembe Lilia Hall, Tokyo.
- Hard copy version record.
- Other Format:
- Source record: Takemitsu, Tōru. Choral music. Selections. Songs for mixed chorus.
- OCLC:
- 953459143
- Publisher Number:
- NLA509209401
- NLA509209402
- NLA509209403
- NLA509209404
- NLA509209405
- NLA509209406
- NLA509209407
- NLA509209408
- NLA509209409
- NLA509209410
- NLA509209411
- NLA509209412
- 00028947897866 Decca
- Access Restriction:
- Restricted for use by site license.
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