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Polychrome sculpture : meaning, form, conservation / Johannes Taubert ; edited with an introduction by Michele D. Marincola ; translated from the German by Carola Schulman.

Fine Arts Library NB1199 .T3813 2015
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Format:
Book
Author/Creator:
Taubert, Johannes, author.
Contributor:
Marincola, Michele D., editor.
Kleinstück-Schulman, Carola, translator.
Standardized Title:
Farbige Skulpturen. English
Language:
English
German
Subjects (All):
Sculpture, Medieval--Conservation and restoration--Europe.
Sculpture, Medieval.
Sculpture, European--Conservation and restoration.
Sculpture, European.
Wood-carving--Conservation and restoration--Europe.
Wood-carving.
Polychromy--Conservation and restoration--Europe.
Polychromy.
Polychromy--Conservation and restoration.
Sculpture, Medieval--Conservation and restoration.
Wood-carving--Conservation and restoration.
Europe.
Europa.
Local Subjects:
Europa.
Physical Description:
xiv, 234 pages : illustrations ; 27 cm
Place of Publication:
Los Angeles, California : Getty Conservation Institute, [2015]
Language Note:
Translated from the original German into English.
Summary:
"A translation into English of an important work, originally published in German in the 1970s, on the making and meaning of European medieval and Baroque painted wood sculpture. It combines scientific analysis of materials with an art-historical appreciation of form and function, an approach that has led to the development of technical art history as practiced today"--Provided by publisher.
Contents:
Foreward to the English-language edition / Timothy P. Whalen
Editor's introduction / Michele D. Marincola
Note to the reader
Foreward / Paul Philippot
Part 1 Art historical questions
Introduction: plastic form and color
The polychromy of Romanesque sculptures
Relics and repositories for relics in sculptures
On the artistic unity of form and color in sculpture (Gothic sculptures)
Medieval crucifixes with movable arms: a contribution to the question of the liturgical use of sculpture
On the imitation of textile structures in Late Gothic polychromy and panel painting / E. Oellermann
The Annunciation of the Rosary by Veit Stoß in Nuremberg
On the surface and finish of so-called unpainted Late Gothic wooden sculpture
On the surface and finish of the Castulus Reliefs by Hans Leinberger
The polychromy of Rococo sculptures in Southern Germany
Part 2 On technical results and problems of restoration
Introduction: the conservation of wood
On the restoration of sculptures
On the restoration of the Forstenried Crucifix / J. Taubert and F. Buchenrieder
The restoration of Late Gothic altarpiece shrines: an art historical problem
Friedrich Herlin's Nördlingen Altarpiece of 1462
Report of findings
Description of the polychromy of the sculptures, the restoration, and the retouching / F. Buchenrieder
On the woodworking of the sculptures and on the construction and polychromy of the shrine housing of the Nördlingen Altarpiece / K.-W. Bachmann
The Baroque altarpiece after restoration
Friedrich Herlin's Rothenburg Altarpiece and its restoration
Description, history, and restoration of the altarpiece
The construction and genesis of the altarpiece / K.-W. Bachmann
The polychromy of the altarpiece / E. Oellermann
On the form of the Herlin Altarpiece / J. Taubert and K.-W. Bachmann
On the restoration of the Crucifix by Ignaz Günther in Altmannstein.
Notes:
Includes bibliographical references (pages 212-215) and index.
"The present volume is based on the 1983 German edition"--Page xiv.
ISBN:
9781606064337
1606064339
OCLC:
900277134

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