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Music in Vienna 1700, 1800, 1900 / David Wyn Jones.

Van Pelt - Albrecht Music Library ML246.8.V6 J66 2016
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Format:
Book
Author/Creator:
Wyn Jones, David, author.
Language:
English
Subjects (All):
Music--Austria--Vienna--18th century--History and criticism.
Music.
Austria--Vienna.
Music--Austria--Vienna--19th century--History and criticism.
Music--Austria--Vienna--20th century--History and criticism.
Genre:
Criticism, interpretation, etc.
Physical Description:
x, 320 pages : : illustrations, maps ; 25 cm
Place of Publication:
Woodbridge : The Boydell Press, 2016.
Summary:
The image of Vienna as musical city is a familiar one. Vienna has long been associated with many of the most significant composers in Western music - from Haydn, Mozart, Beethoven and Schubert, through the Strauss family, Brahms, Bruckner and Wolf, to Mahler, Lehar, Schoenberg and Webern. Today, venerable institutions like the Vienna Philharmonic Orchestra, the Staatsoper and the Vienna Boys' Choir, together with the shared pride of residents and visitors in its musical inheritance, ensure that the image of a musical city is undimmed. This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900, an approach which allows the very different relationships between music and society that existed in each of these periods to be distinguished. Patronage, social function and audience are key considerations, set within wider political and cultural developments. The volume is populated by emperors, princes, performers, publishers and writers as well as composers, and deals with institutional and commercial characteristics alongside representative individual works. 'Music in Vienna' focusses on the political and social role of music, broadening our understanding of the city as a musical capital. It will appeal to a wide readership, including music historians and political, cultural and social historians, as well as the interested general reader.
Contents:
1 Telling Tales of Music in Vienna 1
1700
2 Music at the Imperial and Royal Court 8
Angelica, vincitrice di Alcina: an opera for the Habsburgs
Three emperors: Leopold I, Joseph I and Karl VI
Music in a fortress city
Music and Habsburg identity
3 Catholicism, Ritual and Ceremony 30
The regulation of the liturgy
Leopold I and pietas austriaca
Johaun Joseph Fux: composer and theorist
4 Italian Opera and the Preservation of the Habsburg Dynasty 47
Opera, representation and identity
A coronation in Prague (1723): political unity and musical conservatism
1800
5 Court, Aristocrats and Connoisseurs 72
Mozart's coronation opera; Haydn's Te Deum
Music and the Habsburg dynasty, music and the Habsburg family
The aristocracy as leaders of private and public taste in music
Prince Nicolam Lsterhazy and Prince Joseph Lobkowitz
Women play and sing their part: a forgotten history
6 Demand, Aspiration and the Ennobling of the Spirit 97
Music in the market place
Behind closed doors: piano, song and string quartet
Music in Vienna in 1808: the view of a patriot
7 Music, War and Peace 120
In tempore belli
1792-1799 The First Coalition to the Peace of Campo Formio
1799-1805 The Second Coalition to the Treaty of Lunéville
1805-1809 The Third Coalition to the Peace of Pressburg
1809-1813 The siege of Vienna to the Treaty of Schönbrunn
1813-1815 The Fourth Coalition to the Congress of Vienna
A glorious moment, a new future, the Gesellschaft der Musikfreunde
1900
8 Vienna, City of Music 152.
Documenting the musical world
Institutions and venues in the First District
Beyond the Ringstrasse
9 'Seid umschlungen, Millionen' 178
Otto Nicolai concert, 18 February 190
Beethoven and Wagner; Mozart and Haydn
Memorialization and monumentalism
Johann Strauss dedicates a waltz to Brahms
10 From Johann Strauss co Richard Strauss 199
The Waltz King turns to operetta
Old Vienna, New Vienna
Richard Strauss and the future operatic ideal.
Notes:
Includes bibliographical references (pages 247-260) and index.
ISBN:
9781783271078
1783271078
OCLC:
945088236

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