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Style and the single girl : how modern women re-dressed the novel, 1922-1977 / Hope Howell Hodgkins.

Van Pelt Library PR830.C59 H63 2016
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Format:
Book
Author/Creator:
Hodgkins, Hope Howell, 1960- author.
Language:
English
Subjects (All):
Clothing and dress in literature.
Fashion in literature.
Single women in literature.
Fashion--Social aspects--Great Britain--History--20th century.
Fashion.
English fiction--20th century--History and criticism.
English fiction.
Modernism (Literature).
Fashion--Social aspects.
History.
Great Britain.
Genre:
Criticism, interpretation, etc.
History.
Physical Description:
xxii, 287 pages : illustrations ; 24 cm
Place of Publication:
Columbus : The Ohio State University Press, [2016]
Summary:
Style and the Single Girl by Hope Howell Hodgkins reveals how four very different single-girl novelists employed modern modes to re-dress the traditional English marriage plot. In the first monograph to use fashion theory and history to trace the literary progress of British women in later modernity, Hodgkins argues that correspondences between a gendered sartorial style and a gendered literary style persisted throughout the modern era. She demonstrates how those correspondences did not fade but became fraught as women matured in the sharply gendered crucible of war. Hodgkins delineates how in the 1920s and 1930s, popular novels by Dorothy Sayers and high-art fiction by Jean Rhys used dress to comment wittily and bitterly on gender relations. During World War II, changes in British Vogue and compromises made by the literary journal Horizon signaled the death of modernist styles, as Elizabeth Bowen's gender-bent wartime stories show. Then demure and reserved postwar styles-Dior's curvy New Look, the Movement's understated literary irony-were intertwined in the fictions of Barbara Pym and Muriel Spark, who redressed the novel with a vengeance. Whether fashioning detective fiction, literary impressionism, or postwar comedy, these novelists used style in every sense to redefine that famous question, "What do women want?" Book jacket.
Contents:
Introducing modernism, à la mode
The self-fashioned Dorothy L. Sayers
Jean Rhys and modeling for men
How Vogue changed clothes in war
Literature in wartime
Pym, Spark, and the postwar comedy of the object
Spark, Pym, and the glamorous ends of style
Coda: Lasting modes.
Notes:
Includes bibliographical references (pages 261-275) and index.
ISBN:
9780814213018
0814213014
OCLC:
926823049

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