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The naked blogger of Cairo : creative insurgency in the Arab world / Marwan M. Kraidy.

LIBRA JQ1850.A91 K72 2016
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Format:
Book
Author/Creator:
Kraidy, Marwan M., 1972- author.
Language:
English
Subjects (All):
Arab Spring, 2010-.
Human body--Political aspects--Arab countries--History--21st century.
Human body.
Arts--Political aspects--Arab countries--History--21st century.
Arts.
Insurgency--Arab countries--History--21st century.
Insurgency.
Political participation--Arab countries--History--21st century.
Political participation.
Arts--Political aspects.
Human body--Political aspects.
History.
Arab countries.
Genre:
History.
Physical Description:
vii, 293 pages : illustrations ; 25 cm
Place of Publication:
Cambridge, Massachusetts : Harvard University Press, 2016.
Summary:
"Uprisings spread like wildfire across the Arab world from 2010 to 2012, fueled by a desire for popular sovereignty. In Tunisia, Egypt, Syria, and elsewhere, protesters flooded the streets and the media, voicing dissent through slogans, graffiti, puppetry, videos, and satire that called for the overthrow of dictators and the regimes that sustained them. Investigating what drives people to risk everything to express themselves in rebellious art, "The Naked Blogger of Cairo" uncovers the creative insurgency at the heart of the Arab uprisings. While commentators have stressed the role of social media, Marwan M. Kraidy shows that the essential medium of political expression was not cell phone texts or Twitter but something more fundamental: the human body. Brutal governments that coerced citizens through torture and rape found themselves confronted with the bodies of protesters, burning with defiance and boldly violating taboos. Activists challenged authority in brazen acts of self-immolation, nude activism, and hunger strikes. The bodies of dictators became a focus of ridicule. A Web series presented Syria's Bashar al-Assad as a pathetic finger puppet, while cartoons and videos spread a meme of Egypt's Hosni Mubarak as a regurgitating cow. The rise of digital culture complicates our understanding of the human body in revolutionary times. As Kraidy argues, technology publicizes defiance, but the body remains the vital nexus of physical struggle and digital communication, destabilizing distinctions between "the real world" and virtual reality, spurring revolutionary debates about the role of art, and anchoring Islamic State's attempted hijacking of creative insurgency."--Provided by publisher.
Contents:
I. In the name of the people. The people want
The dictator's two bodies
Creative insurgency
II. Burning man. Protest suicide
Viral pain
The defender
A bad rap
Down and out in Tunis
Loaves of contention
A better future
III. Laughing cow. Pharaoh's health
A digital body politic
Living martyr
Funny men
Laughing cow
The poodle and the bear
The lion and the eagle
The dictator's tear
IV. Puppets and masters. An eye for an eye?
The upper hand
Sprayman
Stencil standstill
Top goon
Giving Bashar the finger
In sickness and in health
V. Virgins and vixens. The naked blogger of Cairo
The aesthetics of disrobement
Dutiful daughter
Blue bra girl
Vigilance and virulence
Sextremism and Islamophobia
The dilemma of the liberals
Abstract bodies?
VI. Requiem for a revolution? Concept pop?
The creative-curatorial-corporate-complex
The Daesh stain
Another pharaoh?
The specter of death.
Notes:
Includes bibliographical references and index.
ISBN:
9780674737082
0674737083
OCLC:
926061498

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