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Pitch of poetry / Charles Bernstein.
LIBRA PN1136 .B427 2016
Available from offsite location
- Format:
- Book
- Author/Creator:
- Bernstein, Charles, 1950- author.
- Language:
- English
- Subjects (All):
- Poetry--History and criticism.
- Poetry.
- Genre:
- Criticism, interpretation, etc.
- Physical Description:
- xi, 349 pages : illustrations ; 23 cm
- Place of Publication:
- Chicago ; London : The University of Chicago Press, 2016.
- Summary:
- Praised in recent years as a "calculating, improvisatory, essential poet" by Daisy Fried in the New York Times, Charles Bernstein is a leading voice in American literary theory. Pitch of Poetry is his irreverent guide to modernist and contemporary poetics. Subjects range across Holocaust representation, Occupy Wall Street, and the figurative nature of abstract art. Detailed overviews of formally inventive work include essays on-or "pitches" for-a set of key poets, from Gertrude Stein and Robert Creeley to John Ashbery, Barbara Guest, Larry Eigner, and Leslie Scalapino. Bernstein also reveals the formative ideas behind the magazine L=A=N=G=U=A=G=E. The final section, published here for the first time, is a sweeping work on the poetics of stigma, perversity, and disability that is rooted in the thinking of Edgar Allan Poe, Emily Dickinson, Ralph Waldo Emerson, and William Blake. Pitch of Poetry makes an exhilarating case for what Bernstein calls echopoetics: a poetry of call and response, reason and imagination, disfiguration and refiguration. Book jacket.
- Contents:
- I L=A=N=G=U=A=G=E
- In Unum Pluribus: Toward a More Perfect Invention 3
- You Can't Evict an Idea: The Poetics of Occupy Wall Street (with Jane Malcolm) 13
- Sounding the Word 29
- This Picture Intentionally Left Blank 34
- Disfiguring Abstraction 48
- The Expanded Field of L=A=N=G=U=A=G=E 60
- Coda: Enough! 78
- II Pitch
- Gertrude Stein: The Difference Is Spreading 83
- Louis Zukofsky 100
- Charles Olson: A Note on "The Kingfishers" 110
- Paul Celan's Folds and Veils 113
- Barbara Guest: Composing Herself 120
- Jackson Mac Low: Poetry as Art 123
- Robin Blaser's Holy Forest 128
- Robert Creeley: Hero of the Local 131
- Larry Eigner's Endless Song 137
- John Ashbery: The Meandering Yangtze 147
- Hannah Weiner's Medium 154
- Haroldo de Campos Thou Art Translated (Knot) 157
- Jerome Rothenberg: Double Preface 162
- "And autumnstruck we would not hear the song": On Thomas McEvilley 168
- Leslie Scalapino's Rhythmic Intensities 174
- Maggie O'Sullivan: Colliderings 177
- Johanna Drucker: Figuring the Word 182
- III Echopoetics
- Contemporary Literature (with Allison Cummings and Rocco Marinaccio) 187
- Musica Falsa: On Shadowtime (with Eric Denut) 203
- Foreign Literature Studies (with Nie Zhenzhao) 211
- The Humanities at Work (with Yubraj Aryal) 222
- Bomb (with Jay Sanders) 227
- Chicago Weekly (with Daniel Benjamin) 238
- FSG Poetry. All That Glitters Is Not Costume Jewelry (with Alan Gilbert) 248
- Revista Canaria de Estudios Jngleses: Editing as Com(op)posing (with Manuel Brito) 251
- Études anglaises: Poetry's Clubfoot-Process, Faktura, Intensification (with Penelope Galey-Sacks) 258
- Evening Will Come: Off-Key (with Joshua Marie Wilkinson) 274
- Wolf (with Stephen Ross) 276
- IV Bent Studies
- The Pataquerical Imagination: Midrashic Antinomianism and the Promise of Bent Studies (a fantasy in 140 fits) 293
- Pataquericals & Poetics 345.
- ISBN:
- 9780226331928
- 022633192X
- 9780226332086
- 022633208X
- 9780226332116
- 022633211X
- OCLC:
- 913647100
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