My Account Log in

1 option

Resounding Afro Asia : interracial music and the politics of collaboration / Tamara Roberts.

LIBRA ML3917.U6 R63 2016
Loading location information...

Available from offsite location This item is stored in our repository but can be checked out.

Log in to request item
Format:
Book
Author/Creator:
Roberts, Tamara, author.
Contributor:
Thea Marie Garfield Fund.
Series:
American musicspheres
Language:
English
Subjects (All):
Music and race--United States.
Music and race.
Asian Americans--Music--History and criticism.
Asian Americans.
African Americans--Music--History and criticism.
African Americans.
African Americans--Music.
Music.
United States.
Physical Description:
x, 236 pages : illustrations ; 24 cm.
Place of Publication:
New York, NY : Oxford University Press, [2016]
Summary:
Cultural Hybridity is a Celebrated Hallmark of U.S. American music and identity. Yet hybrid music is all too often marked-and marketed-under a single racial label. Resounding Afro Asia examines music projects that counter this convention: these projects instead foreground racial mixture in players, audiences, and sound in the very face of the ghettoizing culture industry. Giving voice to four contemporary projects, author Tamara Roberts traces black/Asian engagements that reach across the United States are beyond: Funkadesi, Yoko Noge, Fred Ho and the Afro Asian Music Ensemble, and Red Baraat. From Indian funk & reggae to Japanese folk & blues, to jazz in various Asiam and African traditions, to Indian brass and New Orleans second line, these artists live multiracial lives in which they inhabit-and yet exceed-multicultural frameworks built on essentialism and segregation. When these musicians collaborate, they generate and perform racially marked sounds that do not conform to their racial identities. The Afro Asian artists discussed in this book splinter the expectations of racial determinism, and through improvisation and composition, articulate new identities and subjectivities in conversation with each other. These dynamic social, aesthetic, and sonic practices construct a forum for the negotiation of racial and cultural difference and the formation of inter-minority solidarities. Resounding Afro Asia joins a growing body of literature that is writing Asian American artists back into U.S. popular music history, while highlighting interracial engagements that have fueled U.S. music making. The book will appeal to scholars of music, ethnomusicology, race theory, and politics, as well as those interested in race and popular music. Book jacket.
Contents:
Introduction : Echoes of the future
This strange amalgamation : Afro Asian roots
Becoming Afro Asian : Yoko Noge's Jazz me blues and Japanesque
Articulating interracial space : Funkadesi's One family
Sonic identity politics : Fred Ho's Afro Asian music ensemble
Toward an Afro Asian theory of critique : the addictive case
Conclusion : Red Baraat and other reverberations.
Notes:
Includes bibliographical references and index.
Local Notes:
Acquired for the Penn Libraries with assistance from the Thea Marie Garfield Fund.
ISBN:
9780199377411
9780199377404
0199377405
0199377413
OCLC:
927141254
Publisher Number:
99967315978

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account