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The elusive sentence : recovering the rudiments of writing / Rita Eulalie Hatfield and Leta Marie Young.

Van Pelt Library LB1576 .H322 2016
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Format:
Book
Author/Creator:
Hatfield, Rita Eulalie, author.
Young, Leta Marie, author.
Language:
English
Subjects (All):
Basic writing (Remedial education).
English language--Composition and exercises--Study and teaching (Elementary).
English language.
Physical Description:
xviii, 153 pages : illustrations ; 24 cm
Place of Publication:
Lanham : Rowman & Littlefield, [2016]
Summary:
Across our nation, many within our educational system complain that America's children cannot write well. Rita Eulalie Hatfield and Leta Marie Young assert that the problem lies at the foundation of our pedagogy for writing, that most elementary writing curricula lack rudimentary instruction at the sentence level. The authors introduce a sentence-level writing intervention that explicitly defines the elements found in great sentences. This intervention forms the foundational framework for writing skills acquisition, helping teachers, students, and writers of all ages to understand how to craft well-written sentences and paragraphs. Research supports that the most effective instruction is skills-based and multisensory; therefore, Hatfield and Young also introduce a cognitively differentiated writing model, which uses arts-integrated instruction to enhance learning and memory for other content areas. This writing model is based on best practice and this sentence-level intervention serves as a precursor for mastering the new writing standards for CCSS. It offers novice writers a precise blueprint for what successful writing looks like and clearly defines the elusive sentence. Book jacket.
Contents:
Part I Language Objective: Sentence-Level Writing Intervention 1
Why should we teach sentence-level writing? 1
1 The Problem: Inverted Writing Pedagogy 3
2 The Solution: Sentence-Level Writing 7
3 Sentence-Level writing Intervention 11
Elementary Writing Pedagogy 12
4 Linguistic & Musical Syntax 17
Audiation Theory for Music and Writing 18
How do we teach sentence-level writing? 23
5 Ingham-Webster-Pudewa Method 25
Dress-Ups 25
Scaffolding Common Core State Standards for Writing 38
6 Writers: Middle School, High School, College, and Beyond 41
Advanced Stylistic Techniques 43
7 Sheltered Instruction for Writing 47
Part II Content Objective: Cognitively Differentiated Learning 49
What is cognitively differentiated learning? 49
8 Cognitively Differentiated Learning 51
Why should we teach academic content through arts-integrated experiences? 55
9 Rationale: Teaching through the Arts 57
Art and Cognition 58
10 Arts-Integrated Learning 61
Rehearsal Effect 62
Elaboration Effect 63
Generation Effect 64
Enactment Effect 65
Production Effect 66
Effort After Meaning Effect 67
Emotional Arousal Effect 67
Picture Superiority Effect 68
11 Arts-Integrated Instruction and cognition 71
Writing: Cognitive and Physical Skills 73
Cognitively Differentiated Teaching and Learning 75
Why should we teach academic content through song? 79
12 Song as a Teaching Tool 81
Balanced Learning through Horizontal Differentiation 83
13 Operational Definitions 87
Rationale: Teaching Content through Song 88
4 Inherited Dissociated Philosophy 91
Historical Background of Mnemonic Learning 94
15 Neuroscience of Music and memory 97
Memory and Music 98
Musicand Mnemonics 99
Mnemonicsand Diverse Learners 100
Assumptionsand Final Thoughts on Mnemonic Song 101
16 Method and Practice: Putting It All Together 103
Sample Weekly Outline 105
17 Best Practice for writing Instruction 111
18 Training Teachers for the New Millennium 115
Hippocratic Oath for Educators 118
19 Final Reflection 121.
Notes:
Includes bibliographical references.
ISBN:
9781475823387
147582338X
9781475823394
1475823398
OCLC:
914224205

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