Raqqa revisited : ceramics of Ayyubid Syria / Marilyn Jenkins-Madina.

Format:

Book

Author/Creator:

Metropolitan Museum of Art (New York, N.Y.)

Contributor:

Jenkins, Marilyn, 1940-

Language:

English

Subjects (All):

Metropolitan Museum of Art (New York, N.Y.)--Catalogs.

Metropolitan Museum of Art (New York, N.Y.).

Raqqa ware--Catalogs.

Raqqa ware.

Islamic pottery--Syria--Raqqah--Catalogs.

Islamic pottery.

Pottery, Medieval--Syria--Raqqah--Catalogs.

Pottery, Medieval.

Pottery--New York (State)--New York--Catalogs.

Pottery.

Antiquities.

Syria--Antiquities--Catalogs.

Syria.

New York (State)--New York.

Syria--Raqqah.

Genre:

Catalogs.

Physical Description:

1 online resource

Place of Publication:

New York : The Metropolitan Museum of Art ; New Haven : Yale University Press, 2006.

System Details:

Mode of Access: World Wide Web.

text file

Summary:

"What follows in these pages is the chronicle of ceramic objects unearthed in Raqqa in the first quarter of the twentieth century. Marilyn Jenkins-Madina, Curator Emerita of Islamic Art at the Metropolitan Museum, describes the dramatic journey of these ceramics from their discovery in the medieval city to the emporiums of Paris and New York, the drawing rooms of the great collectors, and the galleries of the Metropolitan Museum. Using art-historical detective work, archival documents, and scientific data, the author convincingly establishes provenance and dating, placing these objects - some of the most exquisite ever produced by Islamic potters - in a secure historical context for the first time."--BOOK JACKET.

The city of Raqqa, situated on the Euphrates River in present-day Syria, had its first Islamic flowering in the late 8th century, when it was the residence of the legendary Abbasid caliph Harun al-Rashid. Raqqa experienced a resurgence during the late 12th and early 13th centuries, but was destroyed in 1265. Little is mentioned about Raqqa in Muslim sources after its medieval renaissance, but interest in the city was kindled in the West at the end of the 19th century, when curiosity about the Islamic world was inspired by travel to the Middle East and by the vast travel literature that came out of the region. Interest was also fueled by the translation into French and English of the Arabic literary classic The Thousand and One Nights, in which Harun al-Rashid was a central character. As this collection of stories was becoming a best seller in the West, ceramic objects were being brought out from Raqqa that dealers and auction houses were connecting to this very caliph, and a buying spree for the ware ensued. Among the wealthy collectors who developed a passion for these objects were two important donors to The Metropolitan Museum of Art, Louisine and Horace Havemeyer, and eventually a large number of ceramic objects from their collection were given to the Museum, helping to make the Metropolitan's holdings of this ware the world's most important. This volume explores the ceramic objects unearthed in Raqqa in the first quarter of the 20th century; Museum Curator Emerita of Islamic Art Marilyn Jenkins-Madina describes the dramatic journey of these ceramics from their discovery in Raqqa to the galleries of the Metropolitan Museum. -- Metropolitan Museum of Art website.

Contents:

Map : central Islamic lands in the medieval Islamic period

1. The lore and lure of Raqqa

2. Raqqa demythologized

3. The rejects of Raqqa

4. Raqqa ceramics in the Metropolitan Museum of Art

5. Patterns, profiles, and provenance

6. The period of production

App. 1. The Ottoman response to illicit digging in Raqqa / Aysin Yoltar-Yildirim

App. 2. Compositional analysis of early-thirteenth-century ceramics from Raqqa and related sites / Dylan T. Smith.

Notes:

Includes bibliographical references and index.

ISBN:

1588391841

0300111436

OCLC:

64098486