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Theatre and the novel, from Behn to Fielding / Anne F. Widmayer.

LIBRA PQ2105.A2 S8 2015:07
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Format:
Book
Author/Creator:
Widmayer, Anne F., author.
Series:
Oxford University studies in the Enlightenment ; 2015:07.
Oxford University studies in the Enlightenment
Language:
English
Subjects (All):
Authors and theater--18th century.
Authors and theater.
Dramatists--History and criticism--17th century.
Dramatists.
Novelists--History and criticism--18th century.
Novelists.
Literary style.
Fiction--Technique.
Physical Description:
xii, 263 pages ; 24 cm.
Other Title:
Theater and the novel, from Behn to Fielding
Place of Publication:
Oxford : Voltaire Foundation, [2015]
Summary:
"Ever since Ian Watt's The rise of the novel (1957), many critics have argued that a constitutive element of the early 'novel' is its embrace of realism. Anne F. Widmayer contends, however, that Restoration and early eighteenth-century prose narratives employ techniques that distance the reading audience from an illusion of reality; irony, hypocrisy, and characters who are knowingly acting for an audience are privileged, highlighting the artificial and false in fictional works. Focusing on the works of four celebrated playwright-novelists, Widmayer explores how the increased interiority of their prose characters is ridiculed by the use of techniques drawn from the theatre to throw into doubt the novel's ability to portray an unmediated 'reality'. Aphra Behn's dramatic techniques question the reliability of female narrators, while Delarivier Manley undermines the impact of women's passionate anger by suggesting the self-consciousness of their performances. In his later drama, William Congreve subverts the character of the apparently objective critic that is recurrent in his prose work, whilst Henry Fielding uses the figure of the satirical writer in his rehearsal plays to mock the novelist's aspiration to control the way a reader reads the text. Through analysing how these writers satirize the reading public's desire for clear distinctions between truth and illusion, Anne F. Widmayer also highlights the equally fluid boundaries between prose fiction and drama."--Page 4 of cover.
Contents:
Aphra Behn's dramatic techniques in prose : credibility and female power
Performed emotion in Delarivier Manley's works : actors and voyeurs
Hybrid dramatic-narrative techniques : William Congreve's Incognita and The old batchelor
Abandoning control over 'reality' : author-characters in Henry Fielding's plays
Self-conscious anti-realism : readers as actor-authors in Henry Fielding's prose.
Notes:
Includes bibliographical references (pages 245-257) and index.
ISBN:
9780729411653
0729411656
OCLC:
915139289
Publisher Number:
9780729411653

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