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Travel, tourism, and the moving image / Sue Beeton.

Van Pelt Library G155.A1 B3836 2015
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Format:
Book
Author/Creator:
Beeton, Sue.
Contributor:
Sabin W. Colton, Jr., Memorial Fund.
Series:
Tourism and cultural change ; 45.
Tourism and cultural change ; 45
Language:
English
Subjects (All):
Tourism and motion pictures.
Tourism--Decision making.
Tourism.
Decision making.
Physical Description:
xiii, 240 pages : illustrtions ; 21 cm.
Place of Publication:
Bristol, UK Buffalo : Channel View Publications, [2015]
Summary:
This book explores the relationship between tourism and the moving image, from the early era of silent moving pictures through to cinema as mass entertainment. It examines how our active and emotional engagement with moving images provides meaning and connection to a place that can affect our decision-making when we travel. It also analyses how our touristic experiences can inform our film-viewing. A range of genres and themes are studied including the significance of the western, espionage, road and gangster movies, along with further study of film studio theme parks and an introduction to the relationship between gaming and travel. This book will appeal to tourism scholars as well as film studies professionals, and is written in an accessible manner for a general audience. Book jacket.
Contents:
1 Mise-en-Scène 6
Why the 'Moving Image'? 8
Travel and Tourism 9
Glancing at the Gaze and its Mediation/Mediatisation 13
Understanding Audiences 16
Film-Induced Travel and Tourism 21
Theoretical Framework 30
Conclusion 35
Part 1 From Static to Moving Images 37
2 From Panoramas to Phantom Rides 39
Panorama, Pictures and Travel 40
Virtual (Vicarious) Travel of the Late 19th and Early 20th Centuries 48
Short, Sweet and Silent: The Movies of the Early 20th Century 55
From Talking Audiences to Talking Pictures 58
Conclusion: Active Audiences, Active Tourists 59
3 The Emotions of Motion 1: Travel, War and Unrest in the Era of the Moving Image 61
A Typology of War Films 63
War in the Age of the Moving Image: Travel Lectures, Newsreels, Movies and TV 65
Conclusion 73
4 The Emotions of Motion 2: War Propaganda, National Cinema and Travel 75
The Ascendancy of Hollywood 75
The Role of Moving Images in Propaganda and Distraction 77
The Rise of National Cinemas (1914-1926) 86
War Movies, Escapism and Tourism 86
Conclusion 89
5 Travel in the Era of Modern Warfare and Moving Images 90
The Spy Movies of the Cold War (circa 1947-1991) 92
Modern Warfare, Film and Travel 98
Anti-War Films 102
Emotional and Economic Recovery via Film and Travel 103
'Unreal Unrest' 105
Conclusion: Travel, Warfare and Moving Images 106
Part 2 Travelling In, On and Through the Landscape: Voyeur or Flâneur? 107
6 Badlands and Beauty: Landscape, Travel and Place in the Western 111
Landscapes, Moviescapes and Mythscapes 114
The Power of the Small Screen: TV Westerns 118
Conclusion: Some Practical Implications for Tourism 123
7 Simply a Story? The Cultural Pervasiveness of the Western 125
Movie Ranches 125
Did it Really Go Away? The Resurgence of the Western 132
The Western as a Reference Point 133
From Frontiers to Pioneers: Australian Journeys 134
Tourism Subtexts 139
8 Travel and Transformation: Road Movies and Touristic Journeys 141
Elements of the Road Movie 144
The Road, Travel and Tourism 147
The Other Road Movies: Europe and Australia 148
Tourism Subtexts 154
9 Baddies in the Old and New Worlds: Bushrangers, Gangsters and Crime On Screen 158
The Australian Bushranger: Replicating the American Western? 158
Mysteries and Detectives 167
Gangsters, Mafioso and Triads 170
Tourism Subtexts 173
Part 3 Imagining Places: Illusions and Dreams 177
10 Creating Place 179
Animation and Fantasy 180
Development of the (Studio) Theme Park 181
Authenticity? 190
A Framework for Studio Theme Park Development 195
11 Spaces and Places: Travelling for/to the Moving Image 197
Follow That Star: Film Tourism Precincts 197
Film Museums, Art and Events 201
Illusions, Dreams and Travel 208
12 Conclusion: Manifestations of Tourism Through Film and Television: Making (Some) Meaning from Moving Images and Moving People 210
Small Screens, Big Reactions: TV, Computers and Mobile Technology 213
Computers and Mobile Technology 217
Being Watched While Travelling 221
So What Does It All MEAN? 222
The Future: A Never-ending Story 225.
Notes:
Includes bibliographical references (pages 227-237) and index.
Local Notes:
Acquired for the Penn Libraries with assistance from the Sabin W. Colton, Jr., Memorial Fund.
ISBN:
1845415272
9781845415280
1845415280
9781845415273
OCLC:
905379214
Publisher Number:
99964100825

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