Reel photos : balancing art and truth in contemporary film / Wendy Sterba.

Format:

Book

Author/Creator:

Sterba, Wendy, 1955- author.

Language:

English

Subjects (All):

Photography in motion pictures.

Physical Description:

xviii, 203 pages ; 24 cm

Place of Publication:

Lanham ; Boulder ; New York ; London : Rowman & Littlefield, [2015]

Summary:

Even in an age when the photograph has changed from a physical object into a data file that can be easily manipulated, we tend to believe what we see. But photographs can and do lie. As an object in a film, a photograph's meaning and function can be even more malleable and deceiving, as new developments in technology are altering how we perceive reality. In Reel Photos: Balancing Art and Truth in Contemporary Film, Wendy Sterba examines the use of photographs in cinema to explore issues of objectivity, subjectivity, fabrication, and fact. This study first looks at the traditional use of the photograph in films such as Blow-Up and then considers similar issues as they relate to the search for truth in detective films like Along Came a Spider, The Bone Collector, and Forgotten. Subsequent chapters explore ambivalence and photographic objectification in films about art photography, including The Governess, Fur, and Closer. Other movies discussed include Inception, Paparazzi, Under Fire, and Somebody Has to Shoot the Picture. By examining the function of the photograph in movies rather than the role of film photography as art, Sterba provides an innovative approach to cinema studies. Utilizing theory in an intelligent but easily understandable way, this book allows readers to re-examine the role of authorship and the value of authentic art. Reel Photos will appeal to students and scholars of cinema, as well as anyone interested in the aesthetics of art and truth in film. Book jacket.

Contents:

The loss of photographic objectivity: Anonioni's Blowup

The photograph in the inverted noir film: love crimes

Photographic evidence and detecting truth

Alice in furs

Media hype and Mona Lisa

The portrait photographer: Pecker, The governess and closer

Change in concept, circuits and the hyperreal: papparazzi, Strange days and somebody has to shoot the picture

Strange loops dystopian films from Invisible adversaries to Inception

Over the edge? the photograph and The circuit

Adorno, Benjamin and hope for the photograph, In the good night

Filmography.

Notes:

Includes bibliographical references, filmography and index.

ISBN:

9781442245235

1442245239

OCLC:

892514310