Art and destruction / edited by Jennifer Walden.

Format:

Book

Contributor:

Walden, Jennifer, editor.

Language:

English

Subjects (All):

Art, Modern--20th century--Congresses.

Art, Modern.

Iconoclasm--Congresses.

Iconoclasm.

Art and society--Congresses.

Art and society.

Art--Political aspects--Congresses.

Art.

Art and religion--Congresses.

Art and religion.

Art--Political aspects.

Genre:

Conference papers and proceedings.

Physical Description:

vi, 144 pages ; 22 cm

Place of Publication:

Newcastle upon Tyne : Cambridge Scholars Publishing, 2013.

Summary:

Most talk of and writing on art is about its relationship to creation and creativity. This of course takes various forms, but ultimately the creative act in the making of art works is a key issue. What happens when we put together art and destruction? This has been referenced in some major areas, such as that of art and iconoclasm and auto-destructive art movements. Less evident are accounts of more intimate, smaller scale 'destructive' interventions into the world of the made or exhibited art object, or more singular and particularised approaches to the representation of mass destruction. This volume addresses these lacunae by bringing together some distinct and very different areas for enquiry which, nevertheless, share a theme of destruction and share an emphasis upon the history of twentieth and twenty-first century art making. Scholars and makers have come together to produce accounts of artists whose making is driven by the breaking of, or breaking down of, matter and medium as part of the creative materialisation of the idea, such as Richard Wentworth, Bouke de Vries, Cornelia Parker, to name some of those artists represented here, and, indeed in one case, how our very attempts to write about such practices are challenged by this making process. Other perspectives have engaged in critical study of various destructive interventions in galleries. Some of these, whether as actual staged actions in real time, or filmic representations of precarious objects, are understood as artistic acts in and of themselves. At the same time, an account included in this volume of certain contemporary iconoclasts, defacing or otherwise effecting destructive attempts upon canonised exhibited artworks, reflects upon these destructive interventionists as self-styled artists claiming to add to the significance of works via acts of destruction. Yet other chapters provide a fresh outlook upon distinctive and unusual approaches to the representation of destruction, in terms of the larger scale and landscape of artistic responses to mass destruction in times of war. This book will be of interest to readers keen to encounter the range of nuance, complexity and ambiguity applicable to the bringing together of art and destruction. Book jacket.

Contents:

Chapter 1 'No Construction without Destruction: Ceramics, Sculpture and Iconoclasm / Laura Gray Gray, Laura 9

Chapter 2 Art and Destruction: The Artist as Anti-Curator in the Museum Miranda Steam 35

Chapter 3 Cornelia Parker's Thirty Pieces of Silver / Imogen Racz Racz, Imogen 45

Chapter 4 Breaking as Making: A Methodology for Visual Work Reflected in Writing / Joanna Sperryn-Jones Sperryn-Jones, Joanna 57

Chapter 5 Iconoclasm as Art: Creative Gestures and Criminal Acts Inside Museums and Galleries / Helen E. Scott Scott, Helen E. 77

Chapter 6 Unstable Matter Destruction, Destructuring, De-Obstruction in Camera-Lee Film / Olga Moskatova Moskatova, Olga 95

Chapter 7 A Surreal Landscape of Devastation: An Analysis of Lee Miller's Grim Glory Photographs of the London Blitz / Lynn Hilditch Hilditch, Lynn 115

Chapter 8 Hiroshima Mon Amour, Remembering Destruction: Inscription on the Body and the Promise of Justice / Jennifer Walden Walden, Jennifer 125.

Notes:

"Chapters derive from the conference session 'Art and destruction' proposed and convened by the editor for the Association of Art Historians Annual Conference 2012 hosted by the Open University, UK".

Includes bibliographical references and index.

ISBN:

1443849006

9781443849005

OCLC:

858896740

Publisher Number:

99962178929