My Account Log in

1 option

Latin hitchcock : how almodovar, amenabar, de la iglesia, del toro and campanella became notorious.

LIBRA PN1998.3.H58 K47 2015
Loading location information...

Available from offsite location This item is stored in our repository but can be checked out.

Log in to request item
Format:
Book
Author/Creator:
Kercher, Dona.
Language:
English
Subjects (All):
Hitchcock, Alfred, 1899-1980--Influence.
Hitchcock, Alfred.
Hitchcock, Alfred, 1899-1980--Criticism and interpretation.
Almodóvar, Pedro--Criticism and interpretation.
Almodóvar, Pedro.
Iglesia, Álex de la, 1965---Criticism and interpretation.
Iglesia, Álex de la.
Amenábar, Alejandro, 1972---Criticism and interpretation.
Amenábar, Alejandro.
Toro, Guillermo del, 1964---Criticism and interpretation.
Toro, Guillermo del.
Campanella, Juan José--Criticism and interpretation.
Campanella, Juan José.
Toro, Guillermo del, 1964-.
Amenábar, Alejandro, 1972-.
Iglesia, Álex de la, 1965-.
Hitchcock, Alfred, 1899-1980.
Motion pictures, Spanish--History and criticism.
Motion pictures, Spanish.
Criticism and interpretation.
Physical Description:
viii, 384 pages : illustrations ; 23 cm
Place of Publication:
New York : Wallflower Press, 2015.
Summary:
Within recent critical discussions of global cinema, Spain and Latin America have been conspicuously absent. This study explores how five major directors who began filmmaking in the late 1980s and 1990s-Pedro Almodóvar, Alejandro Amenábar, Alex de la Iglesia, Guillermo del Toro and Juan José Campanella - modeled their early careers on Hitchcock as they mined his filmic aesthetics. In doubling Hitchcock, their films embrace the global aspirations that his movies nowadays epitomize. This volume is divided into two parts, on Spain and Latin American respectively. Each section is introduced by an extensive city study, based on newspaper accounts from Madrid and Mexico City, about the original reception of Hitchcock's movies that lays the groundwork for the exploration of how local preferences for genre, glamour, moral issues, or humour impacted the definition of transnational success. Latin Hitchcock brings a new approach to world film history, showing the crucial importance of Hitchcock to Spain and Latin American from a commercial and artistic perspective. Book jacket.
Contents:
Part I Spain
Chapter 1 First Loves, First Cuts: The Initial Response to Hitchcock's Films in Spain 15
Chapter 2 Pedro Almodóvar's Criminal Side: Plot, Humour and Cinematic Style 63
Chapter 3 Drawing on a Darker Humour, Cultural Icons and Mass Media: Álex de la Iglesia's Journey from Outer Space to the Spanish Academy 133
Chapter 4 Against Hitchcock: Alejandro Amenabar's Meteoric Career 183
Part II Latin America
Chapter 5 Latin American Openings: The Reception History of Hitchcock's Films for Mexico City 235
Chapter 6 Guillermo del Toro's Continuing Education: Adapting Hitchcock's Moral and Visual Sensibilities to the World of Horror 266
Chapter 7 Understanding Osmosis: Hitchcock in Argentina Through the Eyes of Juan José Campanella 318.
ISBN:
0231172095
9780231172097
OCLC:
880565889

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account