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Visual cultures in science and technology : a comparative history / Klaus Hentschel.
LIBRA Q222 H46 2014
Available from offsite location
- Format:
- Book
- Author/Creator:
- Hentschel, Klaus, author.
- Language:
- English
- Subjects (All):
- Scientific illustration.
- Visual communication in science.
- Physical Description:
- x, 496 pages ; 26 cm
- Place of Publication:
- New York : Oxford University Press, 2014.
- Contents:
- 0 Preface and acknowledgments 1
- A quick guide through this book 7
- 1 Introduction 9
- 1.1 Cultures, scopic regimes and visual domains 9
- 1.2 Visual versus textual 28
- 1.3 Text-image interplay and ekphrasis 41
- 1.4 Visual rhetoric - arguments with images and models 51
- 1.5 Alpers on the "Dutch connection" 62
- 1.6 Instruments for creating and recording images 64
- 1.7 A few deep insights from early 'visual studies' 69
- 1.8 Later wrong turns of "the visual turn" 76
- 2 Historiographic layers of visual science cultures 81
- 2.1 'Visual culture' vs. 'visual studies' 82
- 2.2 My account of visual cultures as superimposed layers 84
- 3 Formation of visual science cultures 87
- 3.1 Rudwick on geology 87
- 3.2 The architects of stereochemistry 92
- 3.3 Sorby: Microscopic petrography and metallography 99
- 3.4 Wheeler and geometrodynamics 107
- 4 Pioneers of visual science cultures 113
- 4.1 Some examples: Scheiner, Lambert, Young, Nasmyth 113
- 4.2 Iconophile versus iconophobe types 135
- 4.3 A prosopography of spectroscopists 142
- 4.4 Generalizability of these claims 154
- 5 Transfer of visual techniques 164
- 5.1 The gradual diffusion of perspectival drawing 169
- 5.2 Indicator diagrams from industrial secret to thermodynamics 180
- 5.3 NMR: From physics to chemistry and medicine (MRI) 188
- 5.4 CT and PET scanners in medicine 200
- 6 Support by illustrators and image technicians 206
- 6.1 Leonhart Fuchs and his team of artisans 209
- 6.2 Linus Pauling and Roger Hayward 217
- 6.3 Friction between scientist and illustrator 229
- 7 One image rarely comes alone 233
- 7.1 Nickelsen on copy relations in botanical illustrations 234
- 7.2 Diachronic succession of printing techniques 237
- 7.3 Near-synchronous chains of representation 238
- 7.4 Cinematographic images and science films 241
- 7.5 The drift of scientific images into the public sphere 258
- 7.6 Viscourse on top of discourse 262
- 8 Practical training in visual skills 264
- 8.1 Technical drawing in France, Germany and Britain 265
- 8.2 Slides, posters and plates in training scientists 277
- 8.3 X-ray atlases and training radiologists 281
- 9 Mastery of pattern recognition 291
- 9.1 Visual inventories of possibilities 291
- 9.2 The illusory pattern of Martian canals 297
- 9.3 Electron microscopy 310
- 9.4 Interobserver and intraobserver variability in CT scan 317
- 10 Visual thinking in scientific and technological practice 321
- 10.1 Gooding on Faraday and fossils 327
- 10.2 Crystallographic puzzles: space models and x-ray diffraction 331
- 10.3 Suspension bridge construction 341
- 11 Recurrent color taxonomies 348
- 11.1 Gauging the blue of the sky: cyanometry 353
- 11.2 Mineralogical color codes 358
- 12 Aesthetic fascination as a visual culture's binding glue 362
- 12.1 Mineralogical cabinets and collectors 364
- 12.2 Beauty contests for electron-microscope images 368
- 13 Issues of visual perception 374
- 13.1 Jules Janssen: black drops and solar granulation 374
- 13.2 Recording the invisible 383
- 14 Visuality through and through 387.
- ISBN:
- 9780198717874
- 0198717873
- OCLC:
- 891658372
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