Cahiers du cinéma : 1960-1968--new wave, new cinema, reevaluating Hollywood / edited by Jim Hillier.

Format:

Book

Contributor:

Hillier, Jim.

Gotham Book Mart Collection (University of Pennsylvania)

Series:

Harvard film studies

Language:

English

Subjects (All):

Motion pictures--Philosophy.

Motion pictures.

Motion pictures--France.

France.

Motion pictures--United States.

United States.

Penn Provenance:

Gotham Book Mart (former owner) (Gotham Book Mart Collection copy)

Physical Description:

xiv, 363 pages ; 24 cm.

Edition:

First Harvard University Press paperback edition.

Other Title:

1960-1968, new wave, new cinema, reevaluating Hollywood

Place of Publication:

Cambridge, Mass. : Harvard University Press, 1992.

Contents:

Pt. 1: New wave/French cinema

Introduction: Re-thinking and re-making French cinema

'Jean-Luc Godard' (April 1960) / Luc Moullet

'The purest vision: les bonnes femmes' (June 1960) / André S. Labarthe

'Marienbad year zero' (September 1961) / André S. Labarthe

'From critic to film-maker': Godard in interview (December 1962) / Jean-Luc Godard

'The misfortunes of Muriel' (November 1963) / Jean-Louis Comolli; Jean Domarchi; Jean-André Fieschi; Pierre Kast; André S. Labarthe; Claude Ollier, Jacques Rivette, François Weyergans

Cahiers du cinéma: 'Twenty years of French cinema: the best French films since the liberation' (March 1965)

'The old and the new': Rohmer in interview with Jean-Claude Biette, Jacques Bontemps, Jean-Louis Comolli (November 1965) / Eric Rohmer

'Pagnol' (December 1965) / André S. Labarthe

'Polemic: Lelouch, or the clear conscience' (July 1966) / Jean-Louis Comolli

'Evolution of the new wave': Truffant in interview with Jean-Louis Comolli, Jean Narboni (May 1967) / François Truffant

Pt. 2: American cinema: celebration

Introduction: the apotheosis of mise en scène

'Nicholas Ray's reply: Party girl' (May 1960) / Fereydoun Hoveyda

'In defence of violence' (May 1960) / Michel Mourlet

'Sunspots' (August 1960) / Fereydoun Hoveyda

'The beauty of knowledge: Joseph Losey' (September 1960) / Michel Mourlet

'Hitch and his audience' (November 1960) / Jean Douchet

'A laboratory art: Blind date' (March 1961) / Jean Douchet

Pt. 3: American cinema: revaluation

Introduction: Re-thinking American cinema

'Questions about American cinema: a discussion' (December 1963-January 1964) / Claude Chabrol; Jacques Doniol-Valcroze, Jean-Luc Godard; Pierre Kast; Luc Moullet, Jacques Rivette, François Truffant

'The ironical Howard Hawks' (November 1964) / Jean-Louis Comolli

'A king in New York: King kong' (May-June 1965) / Claude Ollier

' Twenty years on: A discussion about American cinema and the politique des auteurs' (November 1965) / Jean-Louis Comolli; Jean-André Fieschi; Gérard Guégan; Michel Mardore; Claude Ollier, André Téchiné

'Notes on the new spectator' (April 1966) / Jean-Louis Comolli

'Against the clock: Red line 7000' (July 1966) / Jean Narboni

Pt. 4: Towards a new cinema/new criticism

Introduction: Re-thinking the function of cinema and criticism

'Toward a Brechtian criticism of cinema' (December 1960) / Bernard Dort

'Cinéma vérité, or fantastic realism' (November 1961) / Fereydoun Hoveyda

'Self-criticism' (December 1961) / Fereydoun Hoveyda

'The Leacock experiment' (February 1963) / Louis Marcorelles

'Neo-neo-realism: Bandits at Orgosolo' (March 1963) / Jean-André Fieschi

'Towards a semiotics of cinema': Barthes in interview with Michel Delahaye, Jacques Rivette' (September 1963) / Roland Barthes

'The falling sickness: Fists in the pocket' (June 1966) / Jean-André Fieschi

'A morality of economics' (May 1967) / Jean-Louis Comolli

'Struggling on two fronts': Godard in interview with Jacques Bontemps, Jean-Louis Comolli, Michael Delahaye, Jean Narboni (October 1967) / Jean-Luc Godard

'Towards impertinence' (December 1967) / Jean Narboni

'Several routes to a reading: Switchboard operator' (Christmas 1967-January 1968) / Jacques Aumont

Cahiers du cinéma: editorial: 'The Langlois affair' (April-May 1968)

Cahiers du cinéma: editorial: 'The estates general of the French cinema' (June-July 1968)

Cahiers du cinéma: editorial: 'Editorial changes in Cahiers' (August 1968)

'Postcript: Hour of the wolf' (August 1968) / Jean-Louis Comolli

'Time overflowing': R'vette in interview with Jacques Aumont, Jean-Louis Comolli, Jean Narboni, Sylvie Pierre (September 1968)

'Two faces of faces' (October 1968) / Sylvie Pierre; Jean-Louis Comolli.

Notes:

Includes bibliographical references and index.

ISBN:

0674090659

9780674090651

OCLC:

26248489