Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn / Cybelle H. McFadden.

Format:

Book

Author/Creator:

McFadden, Cybelle H., 1975- author.

Language:

English

Subjects (All):

Varda, Agnès, 1928-2019--Criticism and interpretation.

Varda, Agnès.

Akerman, Chantal--Criticism and interpretation.

Akerman, Chantal.

Cabrera, Dominique, 1957---Criticism and interpretation.

Cabrera, Dominique.

Calle, Sophie--Criticism and interpretation.

Calle, Sophie.

Maïwenn, 1976---Criticism and interpretation.

Maïwenn.

Maïwenn, 1976-.

Cabrera, Dominique, 1957-.

Varda, Agnès, 1928-2019.

Criticism and interpretation.

Human body in motion pictures.

Sex role in motion pictures.

Motion pictures--France.

Motion pictures.

France.

Physical Description:

xii, 233 pages ; 24 cm

Place of Publication:

Lanham, Maryland : Fairleigh Dickinson University Press, [2014]

Summary:

Gendered Frames, Embodied Cameras: Varda, Akerman, Cabrera, Calle, and Maïwenn is the first book to link these five filmmakers together through an analysis of the relationship between filming one's own body and the creative body. Through engaged artistic practices, these female filmmakers turn the camera to their bodies as a way to show the process of artistic creation and to produce themselves as filmmakers and artists in their work from 1987-2009. By making visible their bodies, they offer a wider range of representation of women in French film. Through avant-garde form, in which tangible corporeal elements are made image, they transform representational content and produce new cinematic bodies with the power to influence signifying practices in contemporary French culture. By rendering visible their artistic practice and praxis and their camera in their work-reflexive practices that also unite these filmmakers-these women also visually claim the role of filmmaker and creative subject. Thus they establish their authority in a film industry in which women's participation and recognition of their achievements have historically been lower than that of their male counterparts. Book jacket.

Contents:

Introduction: Gendered frames, embodied cameras in contemporary French cinema (1987-2009)

Section 1. Self-authorization through self-representation

Reflected reflexivity: Agnès Varda's aging female body

Enacted reflexivity: Chantal Akerman par Chantal Akerman

Hybrid reflexivity: Dominique Cabrera's half-body, half-camera

Section 2. Self-construction through faux narratives

Orchestrated reflexivity: Sophie Calle's narrative body as artist

Faux reflexivity: Maïwenn's camera and the female body

Conclusion: Reflections on gendered frames, embodied cameras.

Notes:

Includes bibliographical references and index.

ISBN:

9781611476323

1611476321

OCLC:

861955651