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The creative dialectic in Karen Blixen's essays : on gender, Nazi Germany, and colonial desire / Marianne T. Stecher.

Van Pelt Library PT8175.B545 Z88 2014
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Format:
Book
Author/Creator:
Stecher-Hansen, Marianne, 1957- author.
Language:
English
Subjects (All):
Blixen, Karen, 1885-1962--Criticism and interpretation.
Blixen, Karen.
Dinesen, Isak, 1885-1962--Criticism and interpretation.
Dinesen, Isak.
Dinesen, Isak, 1885-1962.
Blixen, Karen, 1885-1962.
Dialectic in literature.
Essay.
Criticism and interpretation.
Physical Description:
276 pages : illustrations ; 25 cm
Place of Publication:
Copenhagen S, Denmark : Museum Tusculanum Press, 2014.
Summary:
"Best known for her fiction, including 'Out of Africa' and 'Babette's Feast', Karen Blixen - often writing under the name Isak Dinesen - was an iconic figure in Scandinavia and the Anglo-American world. Many of her topical pieces would later be published as essays, and in this book Marianne T. Stecher offers the first critical examination of them, exploring Blixen's sagacious reflections on some of the twentieth century's greatest challenges. Stecher uncovers a "creative dialectic" in Blixen's work, an interplay of complementary opposites that Blixen saw as fundamental to human life and artistic creativity. Whether exploring questions of gender and the status of the feminist movement in the middle of the twentieth century, the reign of National Socialism in Hitler's Germany, or colonial race relations under British rule in East Africa, Blixen drew on a dialectical method to offer insightful, witty, and surprisingly progressive observations."--Back cover.
Contents:
Part 1 25
On Feminism and Womanliness in "Oration at a Bonfire" and "The Blank Page" 27
Blixen's Feminism and Feminist Criticism 32
Reading "Oration at a Bonfire"-Rethinking Feminism 39
The Bonfire Oration in Dialogue with Ortega y Gasset 55
Feminine Attire-Essence and Construction 59
Blixen's Entreaty to Postwar Feminists 61
Women and History-From Gender to Existence 67
Womanly Essence and "The Blank Page" 76
Part 2 91
On Nazism as a "One-Sexed Community" in "Letters from a Land at War" 93
A Soldier's Daughter and the Warrior Ethos 95
Hitler's Magnetism and Invitations to Germany 100
Investigating the Original Typescripts 107
Blixen Criticism, the Wvel Debate, and the Heretics 111
"The Foreword"-The Narrative Strategy of Neutrality 119
"An Old Hero in Bremen"-The Chivalrous Enemy 122
"Great Undertakings in Berlin"-The New German Religion 126
"Strength and Joy"-The Gospel of the Will to Power 134
"The Stage"-Art or Propaganda 140
Postwar Reflections-Two Kinds of Courage 146
Part 3 153
On Colonial Desire in "Blacks and Whites in Africa," Out of Africa, and Shadows on the Grass 155
Venerable Artifacts of the Colonial Past 156
Ambivalence and Mimicry in Out of Africa and "Farah" 162
Colonial Denmark, Postcolonial Criticism, and Blixen's Legacy 170
"Blacks and Whites in Africa"-Colonial Power as Illusion 182
"Kitosch's Story"-White Prestige 195
"Farah"-Affectionate Paternalism in the Master/Slave Dialectic 203
"Barua a Soldani"-Desire, Gift, and Sacrifice 208.
Notes:
Includes bibliographical references and index.
ISBN:
8763540614
9788763540612
OCLC:
859645443
Publisher Number:
99959156494

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