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Caravaggio's pitiful relics / Todd P. Olson.

Fine Arts Library ND623.C26 O47 2014
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Format:
Book
Author/Creator:
Olson, Todd, 1957- author.
Language:
English
Subjects (All):
Caravaggio, Michelangelo Merisi da, 1573-1610--Criticism and interpretation.
Caravaggio, Michelangelo Merisi da.
Caravaggio, Michelangelo Merisi da, 1573-1610.
Holy, The, in art.
Criticism and interpretation.
Physical Description:
x, 247 pages : illustrations ; 29 cm
Place of Publication:
New Haven : Yale University Press, [2014]
Summary:
"The renowned Italian painter Michelangelo Merisi da Caravaggio (1571-1610) established his career in Catholic Rome, making paintings that placed particular importance on sacred relics and the glorification of martyred saints. Beginning with his early works, Caravaggio was intensely engaged with the physical world. He not only interrogated appearances but also experimented with the paint's material nature. Caravaggio's Pitiful Relics explores how the artist's commitment to materiality served and ultimately challenged the Counter Reformation church's interests. In his first ecclesiastical commission, Caravaggio offered an unconventional representation of martyrdom that collapsed the borders between art, contemporary religious persecution, iconoclasm, and relics in early Christian catacombs. Yet his art controversially and eventually led to a criminal trial. After he had fled from Rome in disgrace, his major altarpiece depicting the death of the Virgin Mary, portraying her mortality rather than her sanctity, was removed. Caravaggio's materiality came into conflict with changing notions of the sacred; thereafter, the sacred object became a secular work of art, marking the displacement of the relic."-- Provided by publisher.
Contents:
Cozenage
Martyrdom
Defamation
Corruption
Fallout.
Notes:
Includes bibliographical references and index.
ISBN:
9780300190137
0300190131
OCLC:
862149270

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