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The palinodic strain.

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Format:
Book
Thesis/Dissertation
Author/Creator:
Whitbeck, Caroline N.
Contributor:
Platt, Kevin M. F., 1967- committee member.
Wilson, Emily, committee member.
Weissberg, Liliane, committee member.
Bernstein, Charles, advisor.
University of Pennsylvania. Comparative Literature and Literary Theory.
Language:
English
Subjects (All):
Comparative literature.
Classical literature.
0294.
0295.
Penn dissertations--Comparative Literature and Literary Theory.
Comparative Literature and Literary Theory--Penn dissertations.
Local Subjects:
Penn dissertations--Comparative Literature and Literary Theory.
Comparative Literature and Literary Theory--Penn dissertations.
0294.
0295.
Physical Description:
198 pages
Contained In:
Dissertation Abstracts International 75-01A(E).
System Details:
Mode of access: World Wide Web.
text file
Summary:
This study investigates the theoretical and poetic legacy of palinode. Palinode, meaning "recantation," originates with a poetic fragment of the 6th-century BCE Greek lyric poet Stesichorus, in which the poet recanted a prior take on Helen of Troy and for which the cult heroine had, as legend has it, blinded him. His palinode was his palliation. The ancient literary tradition which received Stesichorus also attributed to his palinode the creation of a "phantom Helen," in order to accommodate both his and Homeric versions of this foundational myth. The first two chapters of this study establish the figure of Helen and the palinode within the Classical context by analyzing the work of poets (such as Homer, Stesichorus, and Sappho), tragedians (such as Aeschylus and Euripides), rhetoricians (such as Gorgias and Isocrates), and philosophers (such as Plato). In the second half, I argue for palinode as a broader paradigm that organizes and (dis)orients desire, memory, and revision within the Western literary tradition, as seen in the theories of Sigmund Freud and Roland Barthes and the poetry of H.D. and Anne Carson. I argue that, as a "recantation," the palinode's conjoined modalities of retraction and reinscription in negotiation of a contested female figure articulate the ambivalence in the classical inheritance and its reproductions, whether inscribed in the personal or psychoanalytic epistemology or the cultural or aesthetic tradition. Palinode, which the poet Lisa Robertson has called "the extreme of reception," is hereby a key to understanding how, per Roland Barthes, "History is hysterical."
Notes:
Thesis (Ph.D. in Comparative Literature and Literary Theory) -- University of Pennsylvania, 2013.
Source: Dissertation Abstracts International, Volume: 75-01(E), Section: A.
Adviser: Charles Bernstein.
Local Notes:
School code: 0175.
ISBN:
9781303398872
Access Restriction:
Restricted for use by site license.

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